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Shawn is a young gay teenager who discovered his sexuality. During a party with his best friend Mandy, he met an other boy, Ted. A love story between the two boys begins while Shawn's parents are not aware of the sexuality of their son.
It is a fragmented portrait where Marcel embodies different characters, a mischievous dandy immersed in a profusion of shimmers and erotic pictures, a bewitching photographer featuring nonchalant beauties like Sicilian shepherds or a black angel, romantic walker Nosferant performing cyclical rituals that celebrate Eros and Thanatos. Dark or bright masks of his desires echoing. Lyrical images, film editions as secular and sacred celebrations where, in the often frenzied allegories which unveil a bewitching Marcel, entangled beautiful and young shooting stars such as Sarah, Orlan, Baptiste, Patrice, Samuel, Roman, Thomas, Anders, Alex, Christian, Yohan or Elie.
Second part of a documentary in two parts about the "Barabli", a satirical cabaret, founded in 1946 by Germain Müller in Strasbourg.
Weekly series spun off from the miniseries.
Starvinsky's ballets The Firebird and The Rite of Spring in the restored original choresography by Michel Fokine (Firebird) and Vaslav Nijinsky (Rite of Spring).
Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.
In 1973, on the brink of the Yom Kippur War, two Mossad agents, Haste and Zahiron, are sent to Tehran to gather intelligence on Iranian military movements and Arab ties. Amid rising tensions, Haste falls for an Iranian general, Ahshorosh, while Zahiron becomes romantically involved with their Mossad handler, Yitzhak Rabin Bat. As the mission unfolds, their love lives endanger both the operation and their survival.
Take three animals, in the farm, in the desert and in the jungle. Put them together, although the meeting seems improbable. And you'll have the moral of the tale.
A double bill from OperaVision’s most easterly partner, New National Theatre Tokyo. Puccini’s Suor Angelica concerns the power of a mother’s love and the devastation of losing a child. The second half of our evening sweeps away all sentimental drama, and there opens the world of a teapot dancing the foxtrot with a Chinese cup, an armchair courting a Louis XV chair, objects and animals joining forces against a naughty child. This is the world of L'Enfant et les sortilèges, the ‘fantaisie lyrique’ by Ravel.
