Film Les Contes Du Herisson Regarder

Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.

Directed by Gérald Calderon and Jean-Charles Cuttoli

Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.

In the night, at the top of a big clock, three little automatons come to life in turn: an agile monkey, a pretty dancer and an acrobatic jester, driven by clever mechanisms. Nina, the clockmaker's little girl, begins to dream. She is a little street singer. And a ballerina in love with a little tin soldier. And a princess in search of her beautiful knight lost in the enchanted forest. From burglary to castle attack, from mermaid to dragon, the adventure never stops... like the hands of a clock.

Les Contes Secrets ou les Rohmériens features interviews with 16 actors who have appeared in Rohmer's films, and they talk on camera about his unusual working methods, his personality, and his spare but evocative signature style. Among the thespians who share their memories are Jean-Louis Trinitignant, Marie-Christine Barrault, Zouzou, Jean-Claude Brialy, Béatrice Romand, Françoise Fabian, and Andre Dussolier; the film also includes rare footage of Rohmer himself at work on the set of his 1978 effort Perceval.

Live from the Metropolitan Opera 19 December 2009.

Live performance from the Opéra National de Lyon.

Otto Schenk’s brilliant production captures both the dark romanticism of the story as well as its fairy-tale magic. It is a superb setting for Neil Shicoff’s vivid portrayal of the tortured poet Hoffmann, as he recounts the loves of his life and the way he has been foiled by his nemesis—a marvelous James Morris in a tour-de-force performance of the opera’s four villains. Gwendolyn Bradley is the doll Olympia, Tatiana Troyanos sings the courtesan Giulietta, and Roberta Alexander portrays the innocent Antonia.

Royal Opera House Live Cinema Season 2016/17: Les Contes d'Hoffmann (2016)

Bartlett Sher’s imaginative production, with sets by Michael Yeargan and costumes by Catherine Zuber, explores all the riches of Offenbach’s fantastical tale. Joseph Calleja is the poet Hoffmann who is enthralled by a variety of women—neither of which turns out to be the perfect creature he envisions. Kathleen Kim scales the vocal heights of the mechanical doll Olympia. Anna Netrebko literally sings herself to death as Antonia and also plays the diva Stella. Ekaterina Gubanova is the sultry courtesan Giulietta. Alan Held’s Four Villains foil all of Hoffmann’s plans. James Levine conducts with ardor and dramatic energy, bringing out every colorful detail of this rich score.

This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.

The “superb, sinister” Tales of Hoffmann at the Dutch National Opera with “excellent soloists, the impressive John Osborn” (Theaterkrant) and “Christine Rice, a vocally and physically voluptuous Giulietta” (bachtrack.com), “mezzosoprano Irene Roberts, who plays and sings brilliantly” (Groene Amsterdammer) and “Erwin Schrott, singing the four villains for the first time, made it look like a blast.” (bachtrack.com) “Les Contes d'Hoffmann is a parade of golden voices”. (Volkskrant) Maestro Rizzi conducted with elegance and momentum the chorus and the “excellent playing Rotterdam Philharmonic Orchestra”. (Volkskrant) “Spectacular” (Trouw) “This production effortlessly fascinates from start to finish.” (Theaterkrant)

Among DVDs of "Hoffmann" currently available, this is the only one that even begins to stand comparison with the superlative Powell and Pressburger film (whose ideas it occasionally borrows). Olivier Py's baroque imagination, which sometimes leads him into self-indulgence and incoherence, is well suited to bringing out this opera's darkness and he does an excellent job