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An experimental film by Jenny E. Davidson
Documentary about Garou's Concert live at Bercy (Paris) in 2002
Il revient enfin sur scène avec un one man show intitulé : « Bienvenue chez les Corses et bonne chance ! »… Vous l’aurez compris, l’île de beauté est le thème principal de ce spectacle. Un voyage au cœur de la Corse que Pido nous propose avec son style inimitable. Que ce soit à travers des personnages que l’on connait déjà, ou à travers des « nouveaux venus », plus fous les uns que les autres, voici un spectacle qui raconte la Corse et les Corses et qui s’adresse à tout le monde.
It is a subtle reflection of the comments entangled in our time spaces. It has no similarity with a heritage set in stone, the sole function of which is the payment of royalties to an author and his legitimate descendants for a period of seventy-two years outside the year of war.
"Sur Les Traces De Premier De Cordée", a color documentary from 1952 which will be released the same year as the eponymous photo book published by Arthaud, features Roger Frison-Roche and his sidekick Georges Tairraz II on the Aiguille du Grépon (3482 m) in the Aiguilles massif which overlooks the Chamonix valley. Together they co-produce the images of the ascent. The young Pierre Tairraz, who completed his training in Paris, at the school in the rue de Vaugirard (Cinema promotion in 1953), also took part in this very technical aerial filming as assistant to his father Georges Tairraz II and cameraman.
What do two kids do after their TV explodes? On this quite extraordinary day, they turn into kids again. They burst into laughter for no reason and become so light they float off to a wonderful desert island. But you can't channel-surf on an island, and once the wonder wears off...
The action takes place in a metallurgical factory which was part of the Pechiney-Ugine-Külhman trust in Couëron, Loire-Atlantique, in 1975. To show their solidarity with their husbands on strike, workers' wives invaded the director's office and obtained in two hours what was refused to them for months. But the management complained and sued. Twelve wives were charged with forcible confinement. The mobilization then widened. The women called on the Bretagne Cinema Production Unit (UPCB) to make a film about their struggle. Narrating the courageous action of solidarity of women with the strikers of the factory and the emergence of a collective awareness, both feminist and working-class, the film is also an echo chamber sensitive to the aspirations of the twelve women who were charged.
A little boy wants to be part of a group of friends who imposes tests before accepting it . Then the band begins to monitor an old man that children take for a spy .