Film Les Co

South Africa, July 11th, 1963. Several members of the African National Congress, an organization declared illegal, are arrested in Rivonia, a country house near Johannesburg. The detainees, along with Nelson Mandela, imprisoned since 1962, are charged with serious crimes for their radical activism against the apartheid regime…

After losing her only child and falling for another man, a wife no longer loves her husband, but he thinks if he takes her back to some of the places they enjoyed in earlier years, it might rekindle their doomed marriage.

A short love story between a young girl and a worker in the shoe industry. Social differences will be the undoing of this union.

Milan is an ex Formula One driver and now he lives with his wife Roberte in a small country town. But Milan is not satisfied, so Roberte encourages a love-story between Milan and Helene, a young woman. Milan can't decide and at last the tragedy comes. Then Milan returns to drive in Formula One.

Live from the Metropolitan Opera 19 December 2009.

Fresh out of prison after drugging the matcha latte of her pageant competition, a young and accomplished beauty queen is on the hunt for her ex-boyfriend upon discovering he's robbed her home.

A poetic and dreamy visit of the French Cinémathèque's collection of devices.

Live performance from the Opéra National de Lyon.

Otto Schenk’s brilliant production captures both the dark romanticism of the story as well as its fairy-tale magic. It is a superb setting for Neil Shicoff’s vivid portrayal of the tortured poet Hoffmann, as he recounts the loves of his life and the way he has been foiled by his nemesis—a marvelous James Morris in a tour-de-force performance of the opera’s four villains. Gwendolyn Bradley is the doll Olympia, Tatiana Troyanos sings the courtesan Giulietta, and Roberta Alexander portrays the innocent Antonia.

Royal Opera House Live Cinema Season 2016/17: Les Contes d'Hoffmann (2016)

Bartlett Sher’s imaginative production, with sets by Michael Yeargan and costumes by Catherine Zuber, explores all the riches of Offenbach’s fantastical tale. Joseph Calleja is the poet Hoffmann who is enthralled by a variety of women—neither of which turns out to be the perfect creature he envisions. Kathleen Kim scales the vocal heights of the mechanical doll Olympia. Anna Netrebko literally sings herself to death as Antonia and also plays the diva Stella. Ekaterina Gubanova is the sultry courtesan Giulietta. Alan Held’s Four Villains foil all of Hoffmann’s plans. James Levine conducts with ardor and dramatic energy, bringing out every colorful detail of this rich score.

This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.

The “superb, sinister” Tales of Hoffmann at the Dutch National Opera with “excellent soloists, the impressive John Osborn” (Theaterkrant) and “Christine Rice, a vocally and physically voluptuous Giulietta” (bachtrack.com), “mezzosoprano Irene Roberts, who plays and sings brilliantly” (Groene Amsterdammer) and “Erwin Schrott, singing the four villains for the first time, made it look like a blast.” (bachtrack.com) “Les Contes d'Hoffmann is a parade of golden voices”. (Volkskrant) Maestro Rizzi conducted with elegance and momentum the chorus and the “excellent playing Rotterdam Philharmonic Orchestra”. (Volkskrant) “Spectacular” (Trouw) “This production effortlessly fascinates from start to finish.” (Theaterkrant)