Film Le R

Paul Lamiani, a wizened mobster, is asked to return to duty following the disappearance of secret documents of extreme importance. It is assumed that they are in the hands of a friend of Paul. But the case becomes even more delicate when Lamiani's son is kidnapped.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Lecture at Vincennes - St Denis : the point of view Date of presentation : 18/11/1986

This film, which was to be directed by Pascal-Angot, is characteristic of the communication war in these times of violent military conflicts. It presents a panorama of the benefits of the singular Portuguese presence, which harmoniously rubs shoulders with peoples and cultures: Macao, its cathedral, junks and casinos; the dances of the Timorese; Cape Verde and its morna; the Tchiloli Theatre of São Tomé; the riches of Angola and the development of Mozambique. And several sequences expose at length the Portuguese military power, especially in Guinea-Bissau and Angola – while a part of these countries is actually under control of the separatists. The film is punctuated by the words of Prime Minister Marcelo Caetano, who replaced Salazar in 1968: “These terrorist movements did not appear spontaneously, they originate in a neighbouring territory, and they would have disappeared if the help of the neighbouring powers had stopped. The people of our territories are fighting them.”

GO is not just an aging college teacher. He still is the young 18 year-old idealist who dared to engaged in social and political action to defend his principles. As a matter of fact, he was one of El Che’s last companions. It was somewhere over there, in Bolivia, in 1967. At least, that’s what he tells everyone...

Just when the school year is about to start after the summer break, 17-year-old Hedi learns that it has been decided by the administration that he must change his family name. The news troubles him and raises all kinds of questions: does changing his name also mean changing his identity, becoming someone else? Everyone around him has an opinion on the matter. It's up to him to discover his own, without becoming too lost in the process.

A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.

The story of a man from Verona countryside who devoted his life to his communist ideals to the point he challenged NATO. Along with him thousands of other people who tried to radically change Italy and the world during the 70s.

Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.

Bicard nicknamed Le Bouif earns 1,000 francs for lending his body to the experiments conducted by Professor Caligari. Further adventures await him when he encounters Ladislas, a young reveler, who happens to be the crown prince of Corinthia. This one, who favors living it up over his royal duty, commissions Bicard to replace him on the throne.

An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)

Thybald asks Émile, a peculiar detective, to find Claire, his missing girlfriend, allegedly kidnapped. In the course of his investigation, Émile finds something more.

Cochu, a peasant, is the whipping boy of his regimental comrades. He is called "buffer of the capiston", that is to say the captain's order. But he finds himself in the service of Hortense, the captain's sister.

The story of Madame Leroy-Gomez, a wealthy divorcee living in Paris. Together with her servant Antoine she schemes to marry off her unmarried children and fix any issues that arise for those already married.

Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.

The plot of the musical is about a little boy who hides in the toy section of a department store at night, where the toys come to life.

To better understand the essence of happiness, filmmaker Nathalie Hébert speaks with Lucien Comeau, a musician and “philosopher of the everyday” who lives in Tracadie-Sheila, New Brunswick. This simple, informal portrait nonetheless moves beyond conventional, preconceived ideas to offer profound insights into the meaning of life and success.

Tunisia, before the revolution. A man on a motorbike, razor blade in hand, prowls the streets of Tunis slashing women's buttocks. They call him The Challat, aka "The Blade", and the mere mention of his name provokes fascination and terror. Is he a lone criminal, an urban legend, or could he be the creation of a political group or religious fanatics? 10 years later, in the aftermath of the Arab Spring, a stubborn young female director sets out on an investigation to unravel the mystery and discover the true Challat of Tunis...