Film Le M

Les Huguenots is a monumental fresco featuring various impossible loves in the context of the Saint Bartholomew Massacre. Andreas Kriegenburg places these timeless conflicts of love and religion in an immaculate setting in which the costumes appear yet more flamboyant and the victims’ blood more violently red.

The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.

Set in mid-19th-century France, this short follows Alexina, a trainee school teacher in a young girl’s convent, who suffers unbearable pains. After examination by a doctor who questions Alexina’s gender and subsequently decides that masculinity prevails, Alexina works to find their own path forward.

Is it because his father was a groom that Adhémar Pomme has a long horse head and a horse- toothed smile? Maybe but the fact is that his head has invariably caused laughter whatever the circumstances, which is the tragedy of his life. After having worked as an undertaker, a theater prompter, a casino bouncer, and so on, and failing at each job, he applies out of desperation to an institution where those rejected for physical reasons can hide and live together. But Adhémar immediately starts... laughing at them and gets kicked out as a result! In the end though, he finds his way as a circus artist.

An illiterate seamstress has a powerful fetish for silk which gets her into trouble. The psychiatrist sent to help her becomes fascinated by her case and when he returns to France from World War One they fall in love, an affair that can only end in tragedy.

Here is the definitive study of Stanislavsky on film: a retracing of his life and work against the tumultuous backdrop of a Russia which variously censored, spied on, adulated, and co-opted him, using hitherto unknown footage. The program shows how one great creative artist interacted with other giants of his era, from Lenin to Stalin, Meyerhold to Mayakovsky, Isadora Duncan to Stella Adler—and includes, in addition to the Chekhov plays, scenes from his productions of Ibsen, Gogol, Hamlet with Gordon Craig as codirector, and Molière’s Le Malade Imaginaire with Stanislavsky as Argan, among many others.

Two couples of friends who have arranged to meet in the woods get lost and find themselves in an embarrassing situation: the husband of one with the wife of the other? Each couple tries to get through this forced cohabitation honestly, but everything is turned upside down when two young Sunday gangsters appear. What follows is a cross-country chase through the woods, which leads the whole gang back to the house, where one of the couples manages to leave, free at last, on an old tandem, bound for... Africa!

While driving through the south of Belgium, the violoncellist Julien meets the mysterious and gorgeous Sylvia on the road and he immediately has a crush on her. They move together to his huge house and Julien builds a greenhouse for Sylvia in the field of his real state, where becomes her favorite place. One day, Sylvia has a strange behavior with Julien and asks him to stay alone at home. When Julien leaves the house, she goes to a construction nearby her property and brings to her house the daredevil biker Patrick that is working in the building, playing erotic games with him.

Caught in the tensions of the returning Pierrot, an ex-con, and the neighboring outlaws, Coralie attempts to distance herself from an ambiguous if not tormented past. Set against a busy highway, the butting houses dominated by a boss loosing sight of his operation are suspended as an anarchic surge approaches.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

WINGS OF BUTTERFLY (film about the unfinished film) "Three butterflies... Suddenly - two butterflies... And nobody has realized how the souls disappear..." Twenty-five years ago, in Kiev, his mother gave to the author a camcorder 16 mm. His friends and he, interested in cinema, started to make everyone own movie. Today, the camcorder has disappeared, as a part of the friends and the country where this happened. But the spools of the films shooted at that time stay. This new film tries to understand then the meaning of the initiated film, and perhaps, in a certain sense, to finish it...

In the 12th Century town of Houthem, a Knight named Gerlachus starts a journey of repentance after a crisis within his family.

Rosa (Marina Suma) is a low-level worker who decides to quit a nowhere job and turn to prostitution instead, all the while living with a boyfriend who is dealing drugs for his financial support. Entering into the picture is a homosexual friend who wants a child of his own and is willing to donate a good apartment to the couple if Rosa will marry her boyfriend and bear a child. She does get pregnant, but by that time has had it with the constant presence of the homosexual, and is having second thoughts about her pregnancy.

A man turns to a life of crime after his mother's death.

1760 Spain provides the setting for Giacomo Casanova's romantic escapades, every woman he encounters unable to resist his disarming charm, be they single, engaged, or even married.

Shots of Paris on May 15, 2016 with a Parisian narrator telling us the story of May 15, 1848, when protesters finally pushed the establishment to let them have a popular vote to elect their ruler.

The Ordinary Grand Film is the result of love at first sight with The Ordinary Grand Circus. With film and equipment borrowed from left and right, with the free complicity of all those who appear in the credits, they went on weekends to film a few moments of their tour.

A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.