Film Le Ha

The access-all-areas pass to the drama that you didn't see on the runway—the backstage bitchiness, the catfights, the struggles, the tears and the secrets. See what happens behind the scenes of RuPaul's Drag Race when the queens let their tucks breathe... and let their emotions flow.

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

The Making of a Lady: The Story of Lady Hamilton is a 1968 historical drama film directed by Christian-Jaque and starring Michèle Mercier, Richard Johnson and John Mills.[1] It was based on the novel La San-Felice by Alexandre Dumas and depicts the love affair between Emma Hamilton and Horatio Nelson. It was a co-production between Italy, West Germany, France and the United States.

Screen adaptation of the play Marivo. Sylvia, incapable of loving affairs, should, according to her father’s plan, marry at all costs. It is for this purpose that Father invites Dorant to spend a relaxing weekend in Switzerland. To find out his true nature, Sylvia decides to change into a maid's costume. Dorant, also in doubt about the future bride, comes up with a similar plan! Gentlemen become servants, servants become gentlemen ...

The investigation of the bombing of a hotel lobby as seen through the eyes of a young detective.

The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, in Rennaissance dress, stand off to the right of the screen, and in the background, next to a painted backdrop.

The lens of the camera captures the port of Le Havre during a chaotic way, a trip whose rhythm is given by the process of shooting, frame by frame. The film edited directly into the camera then takes the form of a travelling front, subject to a continuous jump-cut which imposes its frantic pace. Docks, quays, warehouses, cranes, tractors, container architecture and men at work, present and future ruins parade such fleeting impressions.

While Félix, 26, is celebrating his birthday at home with his family, he discovers a hateful comment on one of his videos. He concludes that it inevitably comes from someone in his family because the video is published privately and therefore only a member of his family had the possibility of viewing it.

An aficionado barber lets his clerk shave a client while he watches television and mimes the bullfight being broadcast.

Following the arrival of the New Year, Slimane's wife, Zeineb, suggests spending New Year's Eve in a hotel. Meanwhile, his mother Douja, desperate to have her date canceled, makes a plan with Slimane's mother, Fadhila, to leave with them. The couple then meets for this evening with their mothers, as well as Sboui, his wife Azza and his children. Sboui, Slimane's brother, continues to do stupid things at the hotel which makes the stay unpleasant for the couple. Remaining in Tunis, Fouchika finds himself alone with Béji. He had planned this evening with his friend Sboui but finds himself with his former boss because he is having marital problems. However, Béji receives a phone call from his wife and reconciles with her. Shortly after, Béji leaves to join his wife at her in-laws, leaving Fouchika alone.

This is Egypt and one of its symbols, Sad Al-Ali, the massive wonder that is the high dam of Aswan. With a first-person narrative in a soft, husky voice, the film explores the memory of the Nile Valley to tell the story of Lake Nasser and the ecological and human consequences of this construction. Floods caused by the Ethiopian rains spread the silt and evacuated the algae. The order of nature was disrupted, the salt rose and cracked the earth, the crops burned. Sea water reached the water tables. The Nubians fled the valley engulfed by the waters, leaving behind their villages and their culture. Twenty-five years after the construction of the dam, there is no longer any coherence between the lower valley and the Nile. The city of Cairo has expanded, a heterogeneous development where human pollution overflows. The film is a bitter reflection on a lost human philosophy, a dialogue constantly renewed with the land and its river.

Documentary on Joe Hamman and his part in the first European western films made in France.