Film Lamour En Laisse Telecharger

A short film made for Venezia 70 – Future Reloaded (2013).

This mini-opera, animated in charcoal, reimagines Georges Bizet’s Carmen and its enduring relevance to issues of sexuality and conflict. In this new work, Carmen is stripped of her usual associations, including gender, race, place and time, leaving only a universal human figure and Bizet’s oiseau rebelle (rebel bird), two alter egos competing for love. This struggle leads to rebirth and a new future.

Tim is 23 years old. He stammers a lot. His friend is a charmer. For Tim, seducing a girl is an ordeal.

Video of the dying and death of the filmmaker’s father shot off a TV monitor with a bolex.

Old Hymen meets Sleeping Love. He takes advantage of his sleep to steal his quiver. Very proud of his larceny and relying on this possession to regain his vigorous youth, he calls his wife. She does not allow herself to be caught up in her speeches knowing what to expect.

A curious meditation on the pleasures and terrors of s/m, in which interviews with enthusiasts collide with choice porn clips, Fleisher cartoons, Hans Bellmer poupees and a couple of sphincter-tightening routines. The results are compelling, this film lingers, never once slipping into hype or deadly cool.’ – Manohla Dargis, Reel To Reel, Village Voice, 1992.

Lost love, lost artistic collaboration, the two are meeting for one night as she briefly visits the city where he still lives.

The arrival of an unruly young man in the football team of a small town in France is turning the life of the Mayor upside down. Some revelations about him may well cost him his re-election by a population averse to bribes and scandals.

Betrayed by his wife, a teacher proceeds to have an affair with a young and pretty student. The two women both find themselves expecting a child. The girl dies during childbirth. In a spirit of revenge and to keep his real son, the scorned husband exchanges the babies.

While he waits for his driving school instructor, Gaspard encounters Camille. They are eighteen years old. Gaspard is ironic and a braggart. Camille is altruistic and committed to causes. They don't hit it off. Ten years later, they share the same car. Camille is in the driver's seat.

A story of an erotic interlude between two women revealed through an unusual juxtaposition of imagery.

For a long time now, we have been seeing outrageous attempts at tackling the 'woman problem' (and the 'man problem') by pretentious and old-fashioned 'professors' or 'revolu-tionaries,' related to the Nazis or Stalinists, who have just as outrage-ously exalted the proletariat, race or nationality, leading to racist and imperialist crimes. Such excessive behavior can only lead to the exploita-tion and destruction of the very gender concerned. In any case, the basic components of simple love and simple friendship (and a fortiori of Super-Love and Super-Friendship), that we have explored in depth (as evoked in my film, What is Love?), are still so poorly understood today by our contemporaries that even those who claim to be happily experiencing these run the risk of being quickly proven wrong by Life itself."

Daniel Schwartz is humouriste. Trash tendency. He does his show all over France. It is a great success. But Daniel is tired and alone. Is there a woman ready to share his solitude? A woman or two?

In a café in Paris, two friends—one single, the other in an “open” relationship—catch up on their lives and loves. In this animated short where the real story plays out in what’s not said, French cartoonist Aude Picault (Moi je) delivers a delightful ode to the sometimes-complex amorous relationships of modern times. She also takes an affectionate but penetrating look at friendship between women—and the jealousy, envy or judgment that can lurk behind the prettiest speeches.

In this routine drama, two men (a crass Brit and a slow Frenchman) decide to evade the war in 1917, but their flight on a stolen boat goes awry and they end up on the coast of France, close to the fighting they wanted to leave behind. Once on shore, they make the acquaintance of a like-minded young widow who begins an affair with both men (she just wants to have a child by each) -- but their unusually idyllic existence is threatened with imminent tragedy as the French army advances ever closer.

Sandrine, a former fashion designer who is unemployed, is now working in a garment factory as a worker. There she meets Mathieu, the company's human resources manager and a former childhood sweetheart. The two of them get closer, but their relationship is hampered by the economic crisis that is catching up with the company... The employees then decide to join forces to buy the company by creating a clothing line, "Les P'tits Lutins", for which Sandrine is, of course, asked to contribute. However, the situation turns out to be tense. How will Mathieu react to these new directions?