Film Lamour En Laisse Enfrancais

A man, his wife and their two sons are having a meal. One of the sons leaves the room pretending to be ill and collects a bunch of flowers form a cupboard and goes out. The other son takes a bunch of flowers from under his bed and he too leaves, followed by their father, also carrying flowers. The two sons and their father call on the same young women one after the other; as each arrives, the previous suitor is hidden in a piece of furniture: the father under a chair cover, one son in a cupboard and the other in a piano. A girlfriend of the young woman visits and the two play pranks on the hiding men by playing the piano and sitting on the chair cover. The three men emerge and the father chases his two sons outside until they remind him of his own folly; he gives his sons some money and urges them to keep silent.

Catherine Guérande (Valeria Ciangottini), a 19-year-old attractive Parisian girl, decides to become a prostitute after a messy love affair. She did not count on Pornotropos (Jean Yanne), a brutal racketeer who runs the profitable business of model agencies, cabarets, and camping sites, backed by Thanatos (Jean-Marie Fertey), his brother, who runs the mugging and murder side of their business. Pornotropos is not taking it well that a freelancer is around reducing his profits, and he sets his girls to harass and beat her up. Catherine does not take his mistreatment and moves to another brothel. But luck has it that an old man (Roger Karl) dies in her room, and that he was the owner of a marketing agency. Paul (Jacques Destoop), a young and handsome executive in his company, decides to investigate the shady causes of death of his late boss, and when Paul meets Catherine it's love at first sight.

A French crew is working on location in Spain. But when they want to film a scene in which Gérardn the male star is supposed to be swimming across a river, the matinée idol proves water-shy and the director decides to double him. The one that replaces him is Antonio, a local fisherman. The latter does the job so well that he is chosen as a stunts man for the whole film. This does not please Lola,his fiancée; all the more as Antonio has fallen in love with Martine, the female star.

Nathalie, a student at the Sorbonne, becomes a model and lover of a painter until the artist transmits a venereal disease to her.

This woman's melodrama pivots around a child that a famous actress had in her youth, but whom she has concealed from the wealthy businessman she is now with.

A good insight insights into the one of the greatest minds in photography. Henri Cartier-Bresson (August 22, 1908 -- August 3, 2004) was a French photographer considered to be the father of photojournalism. He was an early adopter of 35 mm format, and the master of candid photography. He helped develop the street photography or life reportage style that was coined The Decisive Moment that has influenced generations of photographers who followed.

Independent Parisian doctor Annie finds herself in an emotional tangle when she tries to help single-minded HIV-positive patient Laurent and embarks on a brief affair with conceited actor Richard.

Lilian, a rich young girl, is to marry Baron de Plessis, captain of the bobsleigh team. However, Lilian is interested in Tressac, the captain of the opposing team. When everyone discovers that the baron is a burglar, Lilian can marry her lover.

Bob, a talented draftsman, and his young wife Marie-Blanche, a young antique dealer, adore their only son Gégé. But for the most trivial of pretexts, the couple often quarrel. A more serious quarrel leads to separation and divorce proceedings. Gégé spends a week with one of them, and a week with the other, each vying with the other for the little one's affection. But Gégé realizes that he can perhaps initiate a reconciliation.

A young American lady has certain prejudices against the people in France, but comes there to find a lover.She causes nothing but trouble.

Created by the young but obviously ambitious French production company Lux Film, founded just two years before by pioneer Henri Joly. The film was released in the United States with the title Love and Fortune, in a version which sought to mellow the character of the male protagonist, at least judging by the synopses in the period press: the American Ascanio was always in love with Graziella, and he only lets himself think of wealth in his dreams.

Illustration of the song 'Tout l'amour' performed by Dario Moreno.

An “urban romance” captured by the loving architecture of the slaughterhouses of La Villette. 1st prize winner at the International Video Festival.

A girl (Margarethe) walks through the park with her father and leaves a note for her loved one (Rüdolph) saying that she loves him too, but that he must settle things with her father. When asked, the father reacts by telling Rüdolph that he will give his daughter only to an officer. In the next indoor scene his daughter is sick, and Cupid comes along and whispers something in the father’s ear that makes him very happy. In the final scene of the fragment we see the father in a room, sleeping on a chair next to a baby when Cupid enters. The ending is missing. The setting and clothes are in the 18th-century French aristocratic style.– Elif Rongen-Kaynakçi