Film Lamou

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…

Sandrine, a former fashion designer who is unemployed, is now working in a garment factory as a worker. There she meets Mathieu, the company's human resources manager and a former childhood sweetheart. The two of them get closer, but their relationship is hampered by the economic crisis that is catching up with the company... The employees then decide to join forces to buy the company by creating a clothing line, "Les P'tits Lutins", for which Sandrine is, of course, asked to contribute. However, the situation turns out to be tense. How will Mathieu react to these new directions?

An educated woman ,with good prospects falls in love with an oceanographer .But breast cancer strikes : will she remain a true woman ,in spite of a mastectomy?

Screen adaptation of the play Marivo. Sylvia, incapable of loving affairs, should, according to her father’s plan, marry at all costs. It is for this purpose that Father invites Dorant to spend a relaxing weekend in Switzerland. To find out his true nature, Sylvia decides to change into a maid's costume. Dorant, also in doubt about the future bride, comes up with a similar plan! Gentlemen become servants, servants become gentlemen ...

Ursula finds her husband Charles, busy with his secretary at his office. She immediately leaves him and takes her little daughter Delphine with her. As they travel in her car, it goes off the road. The girl is killed and Ursula becomes amnesiac. She can't stand Charles anymore as he has now become unknown to her.

Martin, in a last ditch hope, comes to meet Léa in Paris. They are both twenty-five and shared their first love story together. They are both now striving to mature.

Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.

An in-demand model, Nathalie can't shake the memory of her fiancé Michel, who died in a tragic car accident. To help her forget, she attends erotic parties organized by a friend. One day, she meets Pierre, who invites her to his château.

Lola is an independent woman, a professional writer with 2 men on a string. Both men are married with children. When the men, and Lola, face having to make choices, Lola's comfortable life becomes less appealing.

The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.

The illegitimate son of a music-hall star and an ambitious politician has grown up to become a journalist. He decides to get back at his father by using blackmail.

The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.

An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.

Fernand Sarrazin, who runs a nougat factory to perfection, is a happy bachelor, notwithstanding the acrimonious presence of his sister-in-law Julie. Love enters his life in the form of a young orphan, Cécilia, whom he saves from drowning, falls in love with and marries. The treacherous Julie uses a young pianist to lead Cecilia astray. She returns, however, repentant, after a short stay in Paris. Good Fernand forgives her, but when he learns of his sister-in-law's actions, he chases her out of his house.