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A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.
Recent scandals have revealed the brutal methods often imposed on young top athletes. Fueled by numerous testimonies, this damning investigation reveals the workings of a system which sacrifices children in the name of economic interests and glory.
One of eleven installments of The Dreyfus Affair (L'affaire Dreyfus), a docudrama reconstructing the historical Dreyfus Affair, which was still playing out as the series was being filmed. This film is the last of the 11 installments in the "Dreyfus Affair" film series by Georges Melies. Notable for the fact that this last segment was banned from the public as disputes broke up at the viewing of it, and today it is one of two films that is currently not available to the public.
Fashion subject in Chronochrome
The movie is composed with a series of studies which as a whole, deal with day-to-day and solitary moments of a woman played by different actresses. I intend here to capture casual gestures which suggest a sense of uncanny, closely related to psychoanalysis, between autoerotism and the genre movie. Each movements could turn the ritual into a horror scene but remain finally in a limited state. Each daily gesture becomes part of a singular ritual, undramatical, suggesting rather than explicitely showing. The ritual in each study favors very much aestheticism and falls little by little into informal and uncertainty. The idea is that the more the gestures are structural, the more they are infamous on us. These studies function throughout fictional portraits between the main actress (who plays in three studies) and myself. They express our excessive behaviour with the existence.
A mysterious film, featuring three Russian cosmonauts heading into space, is found. This document is the only and last trace remaining of these three men. A team of journalists decides to investigate in Kazakhstan to solve the mystery of their disappearance.
In Morocco, during the resistance and struggle for independence in the 1950s, Mokhtar, a cultured young man from a middle-class family in Fez, is the unwitting cause of Yamna's downfall, and she must pay a high price to regain her dignity and freedom.
The action takes place in a metallurgical factory which was part of the Pechiney-Ugine-Külhman trust in Couëron, Loire-Atlantique, in 1975. To show their solidarity with their husbands on strike, workers' wives invaded the director's office and obtained in two hours what was refused to them for months. But the management complained and sued. Twelve wives were charged with forcible confinement. The mobilization then widened. The women called on the Bretagne Cinema Production Unit (UPCB) to make a film about their struggle. Narrating the courageous action of solidarity of women with the strikers of the factory and the emergence of a collective awareness, both feminist and working-class, the film is also an echo chamber sensitive to the aspirations of the twelve women who were charged.
After 27 years of addiction to "pasta base" (cocaine paste) and a life of criminal activities in "El Puente," Daniel achieved the improbable: he rehabilitated himself. Today, he returns to the same area to help those who still live on the fringes of society—addicts and former companions in addiction—by offering what he calls "the first dose." For a user, it’s another step deeper into addiction; for him, it's an act of humanity.
The story of the Menéndez brothers, who were convicted in 1996 of murdering their parents José and Mary Louise “Kitty” Menéndez.
Recall of the events which, from 1914, favored Philippe Pétain's access to power in France in 1940.