Film La Pl

A burglar joins the circus to escape the police. Yet, he continues his thefts during his off-hours and gets involved in the problems of people around him, while also romancing one of the other circus performers.

A man brings a small plant into his home and cares for it.

"Shangri-La Plaza" is a musical-comedy pilot made for CBS-TV in 1990. The all-sung “Shangri-La Plaza” was directed by Nick Castle and written and created by Mark Mueller and Nick Castle. It starred The Office’s Melora Hardin, Chris Sarandon and Broadway’s original Beast and Javert Terrence Mann, a two-time Tony Award Nominee for Best Actor. It also featured the very young tap dancing phenomenon Savion Glover in one of his first television appearances. The pilot was filmed on location in an actual mini-mall at the corner of Vineland Avenue and Burbank Boulevard in North Hollywood, California. The entire episode is now available in three parts on YouTube.

Alex and Sacha are shaken up by the closure of the online video game on which they met. As Alex and his mother go on holiday to the south of France where Sacha lives, the two teenagers will attempt to meet up and finish the game together.

The moon is familiar; she watches over us. The Moon is our only natural satellite. Appearing in our skies some 4.5 million years ago following a collision between the Earth and a nomad planet, she chose to remain in our orbit. She influences life much more than we imagine and was probably the reason why life first appeared on Earth. She raises the oceans, serves as a biological clock for the reproduction of certain species and is the driving force for animal migrations. As long as 4 million years ago she caused a 500-meter-high tide of lava. From India to Australia, from the bay of the Mont Saint Michel to Papuasia, or in the sacred pits of the Mayas in Mexico, we have a date wherever the Moon shows her face.

Two sisters have to deal with the traditional issues of growing up and the unusual problem of caring for an unstable father in the drama Qui Plume La Lune?

Irrepressible French comedian Fadily Camara weaves jokes, vivid characters and physical comedy into a lively stand-up show at La Cigale in Paris.

What are the pedestrians looking for when they stop in the plaza? A documentary based on atmospheric sensations, the film reveals the human’s need for the company of others. The images and sounds reveal a dream-like show in which the elderly, couples and children unravel inside this oasis, where only the here and now matter, beyond the city flow.

On arriving in Esmeraldas, Ecuador, Patrice Raynal finds himself immersed in the tumult of a carnival. The music and dancing – more ambi­guous phenomena than first appears – provide the through-line for his first-person narrative.

All kinds of absurd situations take place in a town square.

In 1978, the king of Spain signed a new constitution, girls swooned for Camilo Sesto, in the USA debuted a film that would become a symbol for generations to come and a porno magazine was hidden not very well in a bathroom.

A boy is trying to return a pen to a girl he likes, but he faces challenges that keep him from reaching her.

In the small town square of the small Andean city of Merida, Venezuela, there is a singular combat between space and time, from which the only way out is by having written a mythical pact between the synchronic and the diachronic; ethnographic cinema knows these contradictions very well, between good form and good content, between seeing and saying, which transforms the qualitative of a gaze into a necessarily quantitative measure. This film is about a square, but it is also about the problems involved in describing spaces that have become sites.

Ana lives in a remote village on the Spanish plateau, and spends her summers selling underwear in her uncle's shop. An unexpected encounter with two youths from a neighbouring village awakens in Ana hope of an escape from this monotony.

La Planta's team travels to Uruguay, the first country in Latin America to legalize cannabis, to meet characters who, through their experiences, tell us the trajectory of this plant.