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Let's give back to the plastic sandal the place it deserves in the humanity shoes Pantheon. If nobody has forgotten the nightmare it was wearing it every summer, who knows its true story? Who did wonder about the extraordinary destiny of this plastic bead invented by accident? Who remembers that after being created in Auvergne, it went through exile, privations and wars? Who knows that it embodied a society ideal and the promises of a better world? Who could imagine that it would be involved in one of the greatest pages of the 20th century History, until becoming the icon of an entire population? It is time to look back on the dark and glory times of the plastic sandal.
On October 8th, 1968, Ray Charles, the Raelettes and accompanying musicians performed a televised concert at the Salle Playel, in Paris. The performance was outstanding and included a couple hits as well as lesser known gems, such as The Sun Died, I Believe to My Soul, I've Had My Fun (Going Down Slow) and A Tear Fell.
Concert by the Argentine heavy metal band Logos, filmed at the Obras Sanitarias Stadium (Buenos Aires) on December 15, 2007.
The film shows Marcel Broodthaers trying to write while the rain constantly washes away the ink. In the final scene, during which the artist gives up and drops his pen, the inscription “Projet pour un texte” (Project for a text) appears.
Rose Bonbon, a small singer of light variety with a naughty and colorful imagination, is in the glue with Roger, a characterful brute who thinks he is a manager. Between shabby hotels and cheap restaurants, she meets the handsome Dubel, an impresario on the sidelines. He hires Rose at the drop of a hat because he has to replace Hermine Zibeline for a tour in the Paris region with the famous Billie Boys from Broadway.
For over a year, Anna has been struggling in therapy, unable to escape the trauma of what happened at the beach house. As her grip on reality weakens, she begins to lose track of time, blurring the lines between past and present, truth and illusion. Driven to the edge, Anna is forced to confront her darkest fears, setting in motion a series of choices that will irrevocably alter the course of her life.
For two winters, just like the fishermen that feature in the film, the director went out every morning to shoot the coast in San Clemente del Tuyú, a few meters from her house. From the copious footage, she chose fifteen days that reveal the tension and the diversity of textures, sounds and small stories that are born out of patience and attention.
Instead of fighting poverty, we fight the poor. Europe: its chic neighborhoods and its suburban high-rise hovels where ‘zero tolerance’ is increasingly the order of the day. A prison is built when a factory shuts down. The poor, in general, and young people from an immigrant background, in particular, are the focus of many fears. Passing to the other side of the mirror and breaking away from clichés, the film shows the humanity of these people, in the street, a prison, a courtroom or a city cellar, with their emotions, desires, fears and despair. Far from an image of European democracy where everyone has an equal chance, the film, calling to witness France and Belgium, offers a critical and moving glimpse of a society that is sometimes horrific and brutal, our own. “What a strange period! Just where are we heading? Have we lost our minds?