Film La Ou Chantent Les Ecreviss

The adopted daughter of Dr. Skvortsov, Tanya, having learned that her mother Natalya Avdeyevna is alive, who was considered dead during the bombing of World War II, decides to go to her in a distant village on vacation. She recognizes the woman who gave her life and lost her husband and sons due to the war, but cannot call her mother. Meetings on the collective farm with interesting people make Tanya think a lot and experience a lot. She discovers for herself a completely new, largely alien world to her. It does not immediately penetrate the sense of inner kinship with this world, its people, so unusual for her.

A man recollects the conflict in the middle east through his personal memory. In this short documentary, Amiralay reflects on the first time he heard of Israel. Through recorded conversations with filmmaker Mohamed Malas, both Amiralay and Malas share their own unique stories and experiences about Israel and Israeli occupation. In the company of fellow Syrian filmmaker Mohammad Malas, the ground-breaking director Omar Amiralay revisits the ruins of the destroyed Golan village of Quneytra, occupied by Israel and then abandoned following the 1973 war.

An eccentric, wealthy spinster, 'Queenie' Baxter is erroneously presumed to be kidnapped. She subsequently pretends to indeed be kidnapped, , in order to allow a reward of $50,000 to benefit an impecunious family headed by Tony Orsatti and his three sons, Blackie, Doc and Flash.

A narrator tells the story of how the Western pioneers (all being Goofy lookalikes) are travelling in covered wagons across the frontier. They run into some Indians (who are also Goofy lookalikes) and battle breaks out between them. Suddenly a tornado comes by and sweeps up the covered wagons, dropping them into various states such as "Wash", "Organ", and "Californy."

The 31st year of the Showa Era (1956) marked the tenth year since Japan's defeat in World War II. It was when Japan took its first step out of post-war poverty to rejoin the international community. In old downtown Tokyo, a teacher and her students try to pass down Doyo (Japanese traditional children's songs) as the root of Japanese cultural identity to the future generations.

A small funny brown bear paced joyfully in the woods. More recently, he did not leave his mother at all and now he came to the lakeon his own. Butwhat he saw there amazed him. Now he has to deal with his own reflection in the water, which can be both bad and friendly.

Regina, a lonely 65 year old who works on the neighborhood watch for the police in Copacabana, believes to have witnessed a murder in the building across the street, and ends up getting involved with the suspect in a potentially dangerous chain of events that will force her to take stock of her life.

White Tuft is a small beaver who lives in the north of Canada; It is a dangerous place so in his adventure he would have to recognice his friends and his enemies.

A person grows up and leaves home. All his life he wants to return home – to the past. But many things are happening that he cannot change: the mother is getting old, the house is being destroyed, the dog is dying. It happens to everyone and it's inevitable. Everything turns into a memory, a dream or a movie.

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

It’s the end of the Tang dynasty, the country is in turmoil. A blacksmith Yuchi Gong (Honglin Dong) wants to join the army of Li Jiancheng and Li Yuanji. Due to his upright character and formidable martial skills he raises high in the ranks of their army. Unfortunately, he was disappointed by the two wreck less Li brothers and decided to join their more just and noble enemy, Liu Wuzhou. The brothers Li heard that Liu’s wife and his sister-in law are two rare beauties so they decide to kidnap them. Yuchi Gong succeeds in rescuing them but Liu’s wife dies. The stage is set for an all out martial mayhem.

After World War II, many young French women became housewives, convinced that devoting themselves entirely to caring for their families was a noble mission and a means of personal fulfillment.

Two aging comedians who acrimoniously dissolved their act eight years earlier must overcome their differences when they have the chance for a lucrative movie comeback.

A group of older Cabécares from Talamanca rediscover their past when they visit for the first time since they left the indigenous territory of China Kichá, in Pérez Zeledón, where they were born, grew up and left. In the process, they get to know the generations that did remain in the territory and that are currently in the process of fighting for the recovery of the land. "Returning to the land where we were born" is a documentary that deals with the memory of dispossession and the current struggle for the recovery of lands of the indigenous community of China Kichá.

This documentary attempts to get close to the issue of Indigenous land demarcation in Venezuela. This issue has become relevant in recent times due to the 1999 constitution, which recognizes indigenous rights. Through the oral testimony of a diversity of actors linked to the process (representatives of different indigenous groups, anthropologists, technicians, elected officials, religious leaders, military personnel, etc) the documentary confront different points of views about the complexities related to indigenous territories through the context of the relationships built between different peoples and cultures that are subjected to a civilizing discourse, based on the model of Nation State, sovereignty, and national cohesion.

On his wedding day, a Kurdish man must flee through Turkish, then Iraqi and eventually Iranian Kurdistan.

A bunch of outlaws awaits the release from prison of an old goldminer, believed to have hidden 28 sacks of gold 20 years before... They all want the old man to speak, but only one of them will fulfill his dream.

At the beginning of time, giants created the mountains and deep forests that surround the small town of Ydre. It’s now one of Sweden’s smallest municipality, and has a population of just a few thousand, which is carefully looked after by the friendly and idealistic mayor. He is ready with gifts and big smiles every time a child is born and he can note that Ydre has a new inhabitant. In the meantime, youths and elderly people are working and living their lives. It’s a cinematic film about responsibility, love for the community and sense of belonging told with an anchored humor about ordinary enlightened moments of everyday on-going life. Creation myths, fables and everyday realism are mixed with understated comedy in an atmospheric and moving film.