Film La Mai

Sophie and Tarik have inherited a family home in the Vallée de Joux. They could have chosen to move in, but they decided to start by knocking it down and are now attempting to renovate it. In this charming and humorous film, it is now Sophie's turn to deconstruct everything: from the patriarchy and capitalism to growth and degrowth, paving the way for an achievable utopia.

Julien Villandrit owns a textile factory whose manager, Henri Corrandi, is his childhood friend. Both love the same woman, Régine de Bettigny, who grants her hand to Villandrit. Mad with jealousy, Corradin will use all means to break up the couple: he does not hesitate to compromise Régine, to send Julien to prison for a crime he did not commit, to spread misfortune. But despite a long and painful separation, Julien and Régine will find each other, still bound by the same love.

Difosatv presents in a live concert with LA SONORA DE MAY VELASQUEZ, performing the hits that made La Sonora Dinamita famous. A mix of pure Colombian Cumbia live! A Mover La Colita, Se Me Perdió La Cadenita, Mete y Saca, La Bamba...

In an isolated house, in Brittany, live two sisters around whom gravitate a whole series of strange characters. Between the eruption of the vagrant voyeur and that of the couple in love, the youngest kills her eldest and goes mad.

The next stage in the evolution of noirwave is here; this time in the form of Petite Noir’s latest project: La Maison Noir. In collaboration with Red Bull Music and The Noirwave, the introspective visual album journeys through the formative stages of artist Yannick Illunga’s life with reference to the four elements of fire, earth, water and air. Evoking themes of resistance, migration and women’s rights, the four-part visual EP is peppered with imagery in reference to the four sections of the Congolese cosmogram (Kala, Tukula, Luvemba and Masoni), each of which serve to illustrate various aspects of life. lamaisonnoir.com #LaMaisonNoir #RedBullMusic

Patrick Straumann's commentary "La Maison Fassbinder" is a scientific text and strongly based on French film semiotics as initiated by Christian Metz and thus indebted to structuralism in the tradition of De Saussure until Barthes and Levi-Strauss, searching in literature as well as in film recurrent topics, structural parallels, symmetries, Syntagmatic connections as well as paradigmatic variations.

"In a gesture that reminds one of the first forms of painting (...) the possibility of an encounter with time is disclosed. It is a very different kind of knowledge then, that can disclose hidden narratives to us.” (Cecilia Canziani)

Vincent, seventeen, spends his summer holidays alone. To earn a little money, he helps his dad, a locksmith. One day, Vincent breaks into an empty house to steal.

A young man can't help but see his girlfriend as various objects - including a french tart. Perception, misunderstanding and indifference are explored in this darkly funny animation about the foibles of romance.

Three brothers live alone in a forest clearing. When the youngest must go into the forest to take one of his brothers' places, he is so scared that he daren't open his eyes, and bumps into a bear.

The Blue House, is an artistic and sublimation approach of a migrant who lives in the Jungle of Calais. It is a chronicle of the life of a nomadic artist, constrained to immobility. It is an attempt to leave traces on ports, enclaves, deltas, borders, transformed into places of desolation and detention. A refugee is a person who resists disappearance. Alpha explores the world through his art. It is a journey between two journeys, between two worlds. It is a journey to overcome. It's a journey to end the flight.

When filmmaker Karima Saïdi’s mother Aïcha develops Alzheimer’s at the end of her life, Karima decides to make a film portrait of her at her Brussels care home. Before oblivion descends for good. Aïcha is becoming increasingly confused, and Karima takes her on mental journey back into her past. The filmmaker uses Aïcha’s stories and a wide range of family archive material to create an impression of Aïcha’s life. We start with her youth in Morocco, are shown how her husband brought her from Tangiers to Belgium, and how she later went on to raise her children as a single mother.

A reclusive man living in the forest meets a stranger in a way that is as natural as it is improbable and takes the risk of coming back to life.