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Here he comes to swinging seventies' London, seeking a cure to his malady. Unfortunately, he meets Dr. Jekyll who injects him with a serum that turns him into the lascivious killer Mr. Hyde. In his top hat and black cloak, Hyde haunts the fleshpots of Soho, while two gorgeous women fight for possession of his wolfman soul...
Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This sentence reminds us that he belongs to the greatest of film traditions (he cites Griffith, Renoir, Dreyer, and Lang as his models), the one that sees cinema as a matter of placing the camera in front of reality and capturing it ardently, precisely, and without tricks.
