Film Il F

Scandals, bribes, corruption. The Italian newspapers are full of news of corrupt politicians and unscrupulous contractors willing to do anything to get a contract. The script of THE MINISTER comes from the desire to tell a story of ordinary corruption, inspired by facts that "probably happened".

The story takes place in an unidentified time when the earth is one large desert. The Cartographer, the main character and one of the few remaining humans, decides to remap the planet, describing everything that has changed from how it was and how the inhabitants are able or unable to adapt to these changes.

Among others, Ernesto returns to Turin after the war from a German POW camp; his household destroyed and family deceased, he tries making an honest living.

A beautiful woman who lives on an island with her abusive husband, entices a young man into a murder-for-money plot.

Gallura, the mid-1800s. The feud between the Vasa and Mamia families – historically documented – is causing bloodshed in the region. Bastiano Tansu, a deaf-mute since birth, is one of its protagonists. Mistreated and marginalized since his childhood, after his brother Michele was murdered he joined forces with one of the two leaders of the factions, Pietro Vasa, and put at his service his fury and his amazing aim, becoming a highly feared assassin. The State and the Church try to stem the wave of terror and only after more than 70 deaths, the peace of Aggius arrives. At first, Bastiano finds peace in his love for a pastor's daughter, but in a violent and superstitious world that already labeled him the devil's son when he was just a boy, someone like him cannot be found innocent. Thus, he chooses to confront his own destiny.

A man has psychic premonitions of bad things happening to both a young boy and a young lady in a flaming vehicle.

In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.

Franco Elica is a film director casting a remake of a pious melodrama in Rome. He's melancholy, heading south for a break. On a beach, he meets a man who films weddings and is roped into helping film the wedding of the daughter of a severe and imperious prince. The wedding is one of convenience - the prince needs money, the groom is a mama's boy. Elica is attracted to the bride, Boda, and tries to convince her not to marry. No matter how outrageous his behavior, the prince keeps Elica on as the wedding director. As the wedding approaches, what's real blurs with Elica's imagination. Is he mad?

A promising law student from a good family is driven by a cool cardsharper into a downward spiral of criminality, discovering a part of himself he had never known.

A failed porn actor, working as an enforcer for a mafia kingpin, finds himself confronted with an all-out turf war after an errand goes drastically wrong. Going on the run is his only option.

Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.

Pasquale takes all of his 12 children and runs away from Monza, looking for a house of a wealthy and generous awning. Having met on the way impoverished peasant, Pasquale takes him also, having granted the rank of "Half-Monk" and thus having gained rustic, but a reliable friend.

Giorgio and Marco come from two different worlds: the first is the son of an accomplished lawyer, the second is the son of a farmer. Both guys fight to emancipate themselves from the outskirts of a southern city. They dream of an overwhelming love and, above all, for different reasons, they are burning with the desire to emerge. The force that attracted them, it will force them to fight to be together. The "Empty" that pushes them towards each other will bring Giorgio and Marco chasing each other, walking on the balance of the emptiness that attracts them: two boys and an unexpected love.

An absurd law prevents John, an unrecognized child at birth, from knowing the identity of his biological parents before his 100th birthday. To succeed in attracting public opinion, his only hope is to obtain the complicity of Gustavo, the only unrecognized-at-birth centenarian alive. The only one who would have the right to avail himself of this legislation but seems to have no interest in doing so. The Most Beautiful Century of My Life tells of the meeting between a centenarian projected into the future and a young man anchored in the past and of their unexpected friendship.