Film Home Is Somewhere Else Vostfr

Anabel is a Spanish woman who emigrated to Mexico, leaving her entire life behind to forge a new future. 20 years later, she reflects on the obstacles she had to overcome and how that decision changed both her life and the lives of the people around her. Those who stay and those who leave.

“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura

The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.

Two young boys must work together to stop robbers from breaking in after their family accidentally leaves them home alone during the COVID-19 lockdown.

Smadar (Smadar Sayar) and Mirit (Naama Schendar), both 18 years old, are assigned to patrol the streets of Jerusalem together as part of their military service. Worlds apart in their personality their initial frosty relationship changes to friendship as they deal with their own emotional issues, the crushes and break-ups in their love lives, as well as the political realities.

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

In this beautifully poignant experience, a family gathers at their old house on a summer afternoon. They surround grandma, though she's no longer able to move, react, or hear clearly. As people come and go, the day stretches on—leading to the inevitable end of the gathering.

“If a house is like our body, where is its heart located?” asks the narrator of the film, who is also one of the residents of the house in question. As we observe her and her partner going about their daily activities, the violent history of the place is revealed in hints as it comes back to life years later.

Ben (Webb) and Linda Williams move the family into a dream home in a last ditch effort to save their troubled marriage. Despite their good intentions, they cannot shake the feeling that they are being watched by something. Their unimaginable fears are realized when things inside the house take a supernatural and sinister turn. Ben and his family flee for their lives, but it is too late. The house isn't finished with them, trapping the family in its labyrinth. The Williams must come together as never before to fight for their family, their lives and to escape.

Kamalpur-based Khular family make a lot of sacrifices to get their daughter and eldest son married; as well as ensure their youngest, Himmat, gets a good education in Patiala's Punjabi University. After Himmat completes his education and returns home, the family even arrange his marriage with an America-based wealthy bride so that he can re-locate abroad and live a better life. The family's peace and harmony is shattered, the house gets divided, after Himmat refuses to marry the bride, and instead sets off with his friends to open a lowly Dhaba. He also starts wooing Resham, the wealthy daughter of Deep Singh, the President of Punjab Hotel Association - who will never permit her to marry a lowly Dhaba owner, and is already making plans to get her married to someone very wealthy.

The 17-year-old girl, Woodam, is overjoyed to have her own room for the first time. However, her older brother, Woojoo, brings home the pregnant Gyeongbin, who happens to be Woodam’s classmate. Faced with the threat of losing her room to Gyeongbin and her unborn baby, Woodam begins to devise a grand plan.

Ana and Maxi are a couple in their 30's who have just found the house of their dreams. Everything is perfect until they realize that it is even better: the house gives them everything they ask for. But, what will happen if they stop doing it?

Telling the story of Jasmine, who fears that her parents will be deported; Evelyn and Elizabeth, sisters with different immigration status; and José Eduardo, a deported artist, all of whom revolve around the same axis: migration.

When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.

The Lo family live in an old flat in the middle of a noisy neighborhood: father, mother, unemployed son, teenage daughter and his elderly, disabled father. Now a billboard is blocking their perfect view of the harbor, and their already chaotic life becomes sheer madness.

An old lady’s house is full of boxes filled with memories. Every Wednesday, along with her cockroach friends, she tells her granddaughter wonderful stories. But as the little girl grows bigger, they start running out of space inside the house.

When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.