Film Home Is Somewhere Else Enfrancais

A young lady wakes up when her boyfriend gets home after a night out on the town. But is it him or someone else?

An old woman, 92 years old, leaves her big house to visit her daughter, 73, who is settling in a retirement home.

The story follows the aftermath of the death of an old man, the body of whom is brought back to his home where he lived with only child, Sayeh (Mohadeseh Heyrat). Sayeh is made responsible for organising the funeral that, according to the religion, should happen as soon as possible. While the house is packed with relatives who are ready to follow the rituals, Mr. Ahmedi (Gholamreza Bagheri) from the university hospital delivers the will of the dead man, which states that his body should be donated to the autopsy room of the medical college. Sayeh should follow her father’s wishes, but she doesn’t agree.

Home is the story of four generations of a family of Russian Americans, descendants of the Golitsyns, a distinguished princely family. After fleeing Russia, they made their way to France, and from there to the United States. For more than two decades now they have lived in Alaska. This former Russian territory in some mysterious way provides a link if not to their native country, then to their Fatherland, which none of them has ever seen. In its wanderings this large family has not preserved material treasures, but rather their nobility and dignity—the foundation upon with their Home was built.

ZU HAUSE (At Home) ist the final sequence in TERZEN, playing with the filmmakers shadow and the Bolex camera while filming in her kitchen.

A young woman goes back to her native village fleeing from an abusive marriage and looking for emotional support. However, she will find herself facing the hostile attitude of her family and social norms ruling what a real woman should be.

David Ofek looks back on the first Gulf War, when he was living with his parents in Ramat Gan, Israel. They are Iraqi Jews. His parents are fascinated with news reports of the bombing of Baghdad. His grandmother comes to stay with them during the SCUD attacks. Wearing gas masks, they sit in a secure room David has rigged. When the all-clear sounds, they look at photo albums. They're visited by David's girlfriend, Eve. They talk politics; grandma disapproves of Eve. Eve leaves for Eilat for respite. David images a life with Eve after the war ends

Alex and Gershon are both playwrights and lovers. Although Gershon is older and they are not both sucessful, they manage to maintain a long term relationship.

In a city ravaged by war, while society tries to cope with the consequences of war, a small girl found a peculiar way to survive. Home is the first short shot in the city of Raqqa, former capital of the Islamic State in Syria, after it has been liberated. The film reflects on the trauma of war through the powerful gaze of her young director, Syrian filmmaker Sevinaz Evdike, who has experienced it in first person.

A dramatic story about a young film director who is faced with a choice - to live on or die

One day, Ken is left alone in the woods after his happy family life has drastically changed. Ken wanders through the forest, determined to live and see his family again. Through encounters with his friends, he survives the harsh environment. The story then takes a decisive turn when a man appears in front of them.

Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.

On Christmas Eve, a taxi driver takes home a man returning from working abroad.

The camera stands in a house, the lens pointing through the window, outdoors, where the occupants of the home are standing. They respond patiently to the camera operator’s directions: a small step to the left, a little bit forward, no, back just a bit, yes, that’s perfect. Dozens of people pose in this way for a full minute. There’s a man who lives alone, a large family, an older woman on a trampoline. Some are entirely at ease, others more self-conscious. Rabbits, dogs, and cats are allowed to join these portraits, too. All of them are captured within the natural frame of the windows, along with the lace or floral curtains.

A young Nepali man, preparing to launch a filmmaking career in Europe, is suddenly summoned home to the Everest region. There, his father—a Sherpa livestock farmer—is ailing. In this intimate portrait, the director explores his relationship to his birthplace, parents and the world of tradition and ritual he thought he had left behind.

One summer morning, 12-year-old Camila stays at home with her friend Micaela. They are in the care of Sofia, Camila's older sister, but she remains asleep. The girls eat breakfast, watch videos, copy a choreography and play around the house, while on television a news program inquires about a femicide. Camila pays attention at times and wonders who the murderer was. A threat grows within the walls of the house and concerns are revealed in the games.

In the summer afternoon, the families gathered to the old family home. They surrounded beside grandma to show their love. As people come and go, the television was still replaying and the fan was still turning in the peaceful old house, where grandma living with her maid.

The return of an absent daughter to the city where she was born -absent for fear of a crisis from her bipolar mother- is the trigger for a family reunion.

His new home is a house in the middle of a field, the former one is a metropolitan apartment. And the worst enemy is his mother. But what will happen when he breaks into his former home?

The old man thinks about his last sunset and looks back. The house, its every corner, reminds of the happiness of a long life in nature.