Film Home Is Somewhere Else Enfrancais

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

On a beautiful island in Seto Inner Sea, Seichi and Minko make their living by transporting rocks to construction sites by boat. They cherish the deepest affection for this piece of land they call home, and the simple life they lead. But rapid industrial growth makes it all but impossible to continue their chosen living style, and they are forced to leave their beloved hometown in search of a brighter future. But their hometown lingers on their hearts, and they dream of a time when they may once again return.

A struggling couple's weekend getaway goes awry when a child arrives in the middle of the night claiming to be their son.

Her name is El - a name that sounds like a letter and makes the young androgynous woman a kind of representative of her generation. A generation that is overwhelmed by all the possibilities of the world, globalization and the digital stream. Lisbon is a promise of freedom, independence and an intense life. But the question of meaning brings doubt into everyday life: what if I were happier with someone else or called another place home? When home no longer feels like home, the search becomes routine. When El meets Kay after a break-up, in the midst of her search, their story together begins. Time, space and emotions implode in "Baan", blurring Lisbon with Bangkok, past with present.

The story mainly tells the story of Zhang Mingliang and Bai Jing, a pair of ordinary people born in the 1970s . After they got married in 1998, some things happened in their families for more than ten years. Also interspersed in the middle are some stories about his good friend Director Wang and an old man renting a house.

The wife and son of an unemployed, foul-tempered man suffer under ever-worsening domestic violence. One day while his father is taking a nap, the young son decides to take matters into his own hands. In a panic, the wife and son both believe the man is dead and dump him on a roadside. The man survives, however, and returns home weeks later confined to a wheelchair probably for the rest of his life. How will each member in the family cope with this new situation?

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.

With his father's memory waning, a struggling forester must confront the troubling reality about his livelihood and his family's future.

Cyriaque Kouenou was forced to leave his country and fled to the Netherlands. Staying there he has now entered his fourth year on a surrealistic trip with no end in sight, with stopovers in a tent camp, an empty church, an old office building and a former prison. A no man's land where you are stuck after being told that you aren't allowed to stay but also can't be sent back.

Eun-seo struggles repeatedly to find her own place. Her father Jin-cheol lives alone in a house where his family has left. Eun-seo unexpectedly returns her childhood home to live with her father. There, she faces traces of her family she had forgotten.

Junho, a grade school student, is left all alone after his mom’s car accident. His half-brother’s father takes pity on him and brings him home. Knowing that he can be kicked out any day, Junho tries desperately to stay.

Once upon a time, the Mucklas could be found everywhere. But in an increasingly tidy world, the cheerful goblins have a hard time, since they love disorder more than anything. Soon the last tribe will have to leave their home. For generations, the little creatures have made themselves at home unnoticed in Hansson's old, chaotic grocer's store. In the wonderful mess, they find everything they need to live, tinker and make mischief. But Hansson's successor, Karl the exterminator, turns the paradise into a tiled and sterile nightmare. So Svunja, Tjorben and Smartö set off on a dangerous search for the promised land. The great adventure begins

“You gotta build your whole life in a room,” says one of the protagonists of this memorable documentary focused on residents of San Francisco SROs or single room occupancy housing. Available to people with lower incomes or those trying to get off the streets, the buildings are frequently cramped, often noisy, and sometimes riddled with vermin. The film tellingly reveals inhabitants who are diverse and complicated and have a wide variety of needs that these residences and their staffs are often unable to meet. From a single mother trying to find her missing daughter to an elderly woman who is going blind and facing eviction, to the two ex-addicts co-parenting their son, the film gives voice to the broad range of people struggling to keep a roof over their heads in one of the wealthiest cities in the country.

A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.

On Saturday May 26th, 1973 before 100,000 plus fans on the Great Lawn of Central Park in New York City, a generational talent singer-songwriter at the undeniable top of her game enjoyed a humbling homecoming a mere 14 miles from the house in Brooklyn where she grew up. The historic event highlighted the earth-moving power she’d unleashed with her watershed Tapestry (already being touted as one of the highest selling albums in history a mere two years after its release), all the way through her soon-to-be released song-cycle album Fantasy, (her fourth consecutive Lou Adler-produced album to land in Billboard’s Top Ten), Carole King’s performance that day was, according to Jack Nicholson, one of only two current events “proper” to be seen at in public.

MARIAN is an 80 year old resident of Meadow Park Rest Home. During a difficult visit, her daughter PHILLIPA is forced out and accidentally leaves something important behind. Wandering out of the rest home, the outside world proves challenging, as Marian battles her mind in an attempt to return her daughter’s beloved possession.

How to cure oneself of panic, distrust and manipulation in the time of the global pandemic? The Congolese director, sound designer and musician Franck Moka has one answer: humanity. In Home Sweet Home, he remixes personal and collective experiences into confident and heartening beats and lyrics.

A young doctor gives up big-city success to help his father set up a small-town clinic.

When a man dies, his wife, ex-wife, and daughter-- three Arab women living in modern day Jordan-- must put their differences aside and work together to deal with the inherited family home.