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Loan sharks harass Damir and his family, even to the point of writing “home for sale” on the exterior of their house. Damir desperately tries to borrow money from his relatives, friends, and anyone else he knows; Cholpon also struggles to prevent the worst from happening.
Hidekazu is invited to the house of his young lover Ami. Sex immediately begins in her room, but Ami's father-in-law watches the whole thing. Later, Hidekazu is called by his father-in-law and visits Ami's house again, and is captivated by Ami's bewitching mother, Chifuyu. It's all a trick of Ami's doting father-in-law.
In 1993, after a war in Abkhazia, Georgia known as the Abkhaz-Georgian Conflict, thousands of ethnic Georgian families sought refuge in the decaying Soviet sanatoriums nestled in the town of Tskaltubo, in western Georgia. This poignant documentary unveils the untold stories of these displaced individuals as they try to build a new life amid the haunting ruins, revealing not only their resilience and camaraderie, but also the profound transformation of the sanatoriums from symbols of health and luxury to havens of survival and unity. Iamze, 81, and Nikusha, 12, are awaiting promised government housing, all the while being indelibly shaped by the echoes of war.
75-year-old Enola Niaga finds comfort in writing letters back and forth with her sweetheart.
Haneda Sumiko, documentary filmmaker who was born in Dalian, Manchuria in 1926 and was there to experience the conclusion of the Pacific War. Following her previous work , she revisits Dalian and Lushun, places where she spent her formative years. Lushun has served as an important naval port in modern times, and in 2009 was finally fully opened to foreigners. Haneda joined a tour organized as part of that opening, and delves into memoires as she visits the house where she grew up and the school she attended.
Incapable of falling asleep, Mamadou starts to walk endlessly to tire himself and be able to have a final dream of where he was born.
Three American late teens travel to Japan to escape a sad past and have some fun but end up trapped in a house with a demented Japanese host family who plans to offer them to their gods in a sick ancient Japanese ritual.
When somebody swipes Father's wallet, which contains the office pool's winning sports lottery ticket, Uncle Anders and Per set out to catch the thief.
Two suitcases away to the oasis of well-being.
In this documentary, interior designer Emell Gök Che helps the owners of holiday homes and holiday apartments with lots of style, creativity and heart to create beautiful, cozy holiday paradises.
Farnham wanted to capture the craziness of the last few months of juggling home life, working and home-schooling, whilst staying alert! He 3D-scanned his children taking part in the various banal activities he hadset up for them.
Luke Macfarlane follows families who invite him inside a once-glorious house that has either been inherited or holds special meaning to them but is long overdue for some TLC.
Guilherme is a boy with 13 years old that plays tennis, he has to see and deal with his nightmares and his own fears.
Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.
In recent years, insecurity and thousands of feminicides in Mexico have led women to seek greater protection and take more precautions to return home safely. "I Got Home Okay" is a piece of appropriation that talks about how women use the means at their disposal with the intention of taking care of themselves in a violent environment.
The late Ivan gets out of the grave and goes home. A black comedy showing that there is no peace in the other world.
Short 8mm film made by Naoto Yamakawa while studying at Waseda University.
The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.