Film Home Is Somewhere Else

Due to the impact of the global Coronavirus pandemic, the author of the film comes back to her birthplace after having spent the last 10 years abroad. She goes about her daily routine under lockdown along with her parents: her father teeming with good humour who takes government restrictions with reservations, and her mother who voluntarily locks herself in her room because of fears she could infect other flatmates with the virus she may not even have. Sara Shazli observes city bustle outside the windows and domestic life through the camera lens in her own perspective, treating familiar situations with both tragic and comic distance. Being locked down with her parents helps her in rediscovering family ties and her relationship to home.

A documentary about a man in search of a lost paradise.

Tohoku some live Watanabe Bunta wax in the town of still single in their 30s. While the tutor had been making a living. But, life the first time tutor of this hottest was unusual. Problem child and fell, such as his had to have students truancy and domestic violence.

A high spirited, poetic adventure documentary that chronicle's a young person's rites of passage, from novice sailor to expert in three years of life aged in salt, sun and wind. Shot on-board and also on location around the globe, Between Home displays the panache of Nick Jaffe's ocean odyssey from Europe to Australia, and what happens when you dare to follow your dream.

42 years old A-Min is a quiet and reserved man. He is a delivery worker in a fish market in Tainan. He is secretly gay and has never been out of the closet. His wife, Xiaohui who was young and already pregnant when they met. She took off after giving birth to her daughter Xiaofeng. A-min and Xiaofeng had been each other’s only family ever since, until one day, when A-Min finds Xiao-feng missing...

After a disagreement with his teacher, a young boy runs away.

Ghar Ka Pata is an autobiographical account of director Madhulika Jalali’s search for her identity as a Kashmiri Pandit woman. In the early 1990s, the six-year-old Madhulika and her household fled Rainawari—a quaint suburb of Srinagar—in response to Kashmir’s separatist insurgency. 24 years later, with no memory of her birthplace, she returns to visit with her family. In retracing her roots, Madhulika weaves a narrative that juxtaposes short, impromptu conversations, filmed on the streets of Rainawari, with a string of family anecdotes. These oral accounts of a bygone era reveal connections extending beyond religion and politics. On a personal level, Madhulika’s film underlines how the pain of exile can linger across generations.

Action of the movie "Road to home" happens in the small village of Abkhazia, in which the local administration has decided to pave an asphalt road. On the way of construction there is a natural barrier - a free which, according to stories of old residents, has been here since the foundation of the village. Under a dense shadow of the tree, the inhabitants found salvation from the hot Abhazian sun, on the branches clawing more than one generation of boys and girls. It keeps the memory about love, about war and peace, about life and death. According to the legend, if to cut down this tree, the sun will become so bright that will burn everything - people, country, history.

The story of a young cane farmer's daughter from Fiji who marries a rich Indo-Fijian-Australian citizen and moves to Melbourne, Australia to live with him and his family. This is the story of her trials and tribulations.

A documentary series about living in isolation during the COVID-19 pandemic. The project participants are people from different countries who have different attitudes towards forced seclusion and are ready for a lively discussion. “When it's time to close at home, it's time to open up to the world,” is one of the series' slogans.

An NYU short film by Steve Wang.

Taiwanese movie

Photographed over 4 years in and around the house with a 35mm movie camera and a variety of odd film stocks that had been aging in the uncontrolled conditions of the basement, 'domashnyee kino' is a home movie on many levels. It follows the passage of my two children coming to an ever increasing awareness of the world... It traces the flow of light and sound through their environment... It is a celebration of the way light bends through a piece of glass (in this case a couple of 70's era russian anamorphics) and how this light transforms the surface of an emulsion into an impressionist representation of these moments. The camera films were processed at home in the basement and printed optically on a beautiful Oxberry 1700. Some of the printed material was processed by hand and some was run by Sebastjan at NIagara Custom Lab.

I just broke up... bloody society.

Mariana and her cousins are in a small town, on the funeral of their grandmother. In the car where they spend the night, the interior light does not turn off.

MY HOME charts the real estate adventures of filmmaker Amiryousefi as he sets out in search of a condo in pricey Tehran with a miniscule budget but exacting tastes. A dawning realization of the emotional power of ownership takes hold. (Barbara Scharres, Gene Siskel Film Center)

Sang-beom's father had always missed his family in the North. Sang-beom was tired of his father. Then, one day after his father passes away, Sang-beom goes to the cold noodle place that his father used to go to.

Ascel longs to escape her village in Kyrgyzstan and dreams of going to Moscow. The big city indeed tests her survival skills.

Famous actress, Sharla Cheung, was first made known to the audiences prior to her fim debut with this story of Lee Nan (Sharla Cheung), who came to Hong Kong to be reunited with her husband, but later she depraved.