Film Home Is Somewhere Else

a story of lives, friendship, griefs and dreams of six young men and women who are stateless.’ They hope that everyone will be treated equally as human beings.

An Orthodox priest, a resident of a provincial town, has for many years been unable to find answers to important questions for him, tormenting and interfering with a peaceful life. Once, having unraveled the tangle of certain events, he realizes that the answer lies in a long and difficult unforgiveness.

Prayer for a Home shows how everyone needs shelter and a home – people in Latvia, Europe and troubled regions throughout the world. The film relates the story of the distinguished Latgalian poet Anna Rancāne and her family – her daughter Terēze, her grandson Daniel, and Daniel’s father, Dara Muhammad Ali – who are trying to stick together despite unfortunate circumstances. Even though Terēze and Anna are Catholic, while Dara is a Muslim from Kurdistan, their love transcends religious, national and cultural prejudice. However, due to circumstances beyond their control, the family is not destined to remain together, despite doing everything they can to stay close.

A couple lives in a house situated on the railway tracks. They lead a peaceful domestic life, despite the periodic interruptions of the train passing through their living room; but when the husband - a gold prospector - falls down on his luck, the train comes to assume a more ominous significance.

A Silent independent film by Taro Araki, the "eternal 8mm film youth" of the pink film world. It is a true "independent film" that was made by hand with money from the participants' own pockets without any prospect of theatrical release.

Magomed is a thoughtful 10-year-old boy from Chechnya, who has just arrived in Denmark to seek asylum. His father has been both threatened and tortured by the Russians, and now the small family lives in the hope of being allowed to stay.

After losing her mother, a child discovers a magical way of seeing the world. A fantasy story about love and self-acceptance of a father, from the whimsical and innocent perspective of his daughter on life.

The adopted daughter of Dr. Skvortsov, Tanya, having learned that her mother Natalya Avdeyevna is alive, who was considered dead during the bombing of World War II, decides to go to her in a distant village on vacation. She recognizes the woman who gave her life and lost her husband and sons due to the war, but cannot call her mother. Meetings on the collective farm with interesting people make Tanya think a lot and experience a lot. She discovers for herself a completely new, largely alien world to her. It does not immediately penetrate the sense of inner kinship with this world, its people, so unusual for her.

A year after he made Bumming in Beijing, Wu Wenguang visited his main figures in Austria, France, Italy and the USA. The desire to escape everything, which was the most compelling feeling while they were still living in Beijing, has meanwhile faded and they are now confronted with the dynamics of emigration. Wu asks what it means to feels deserted by one's own country and how it is when one reacts by deserting it in turn.

After missing the last train after their best friend’s wedding, Ko, Reiji, and Yasumasa are dropped off at a small train station in the countryside. A teacher, a salaried worker, and an aspiring painter, three people with vague anxieties walk the dark streets at night and pour out their thoughts.

Charles, the protagonist of this reflective documentary by Markku Heikkinen, lives in the city of Kajaani in the heart of central Finland. Children often shout at him in the street, and he has even received death threats to his own doorstep. But Charles, who has a gentle disposition, won’t let these adversities discourage him. He has decided to survive, and he is proud of his children who are growing up as Finns. He is also proud of his job: “It felt good when I got my first salary. By paying taxes I can give something back for the good things Finland has given me.” Charles was born in the Democratic Republic of the Congo, but the bloody tribal wars that broke out in the beginning of the 90s drove the country’s Tutsi population either to their deaths or into exile into the neighbouring country, Rwanda. In the documentary we follow Charles as he travels to Rwanda to meet friends and family. However, the reunion is not all pleasant: his mother lives in a gloomy refugee camp.

"Balik Kampung" tells the story of a boy and girl who meet on a train one day, and discover that they may have more in common than they realize - something to anchor them in the past...

A short story about how the creative process takes place.

Constructed from Canadian prairie archival images taken between 1920 and 1940, this film lyrically explores a transgender son's relationship with his father and the family's relationship to their land.

Two boys from bad financial situation join to a law enforcement organization because of a charismatic leader, but soon they realize how hard is to decide who is guilty, and who is a victim.

Evtim Manasiev is an outstanding engineer. At the office, he has made a name for himself as a "whole-hogger boss". At home, his motto is: "Love me, love my dog". His children rebel against his acting at variance with his own principles. Tired and exasperated, Manasiev realizes that he has been wrong in some of his actions. On a holiday, he runs into Mihaylova, a subordinate of his whom he has recently fired undeservedly. The meeting urges him to reconsider and to review painfully all his previous life and principles. —Georgi Djulgerov