Film Home Is Some

Bengt has been left in a heartbroken state. His ex wife will come back and pick up the last moving box. Bengt decides to make one last attempt to convince her with whale music and improvised homemade Iranian food.

Seong-min, who has decided to go home, asks his friend Jin-woo to take him to Taeungsa, the temple of celibacy. When they are ready to leave, Seong-min repeatedly says “I’m going home today” to the people he meets, expressing his will to go home. However, when Seong-min gets to the Taewoongsa Temple, he is rejected for absurd reasons. As a result, the movie that Jinwoo was preparing for is overturned. You cannot go or stay. The two friends set off for another journey.

When father decides Richard is old enough to leave his parental home, he sends him out into the world. Only Richard keeps returning home: everytime in a more bizarre way. Somehow he seems attached to the house. When an unfortunate alteration in life takes place, Richard is forced to stand on his own feet.

Home is where fear is. A young, successful woman is the first and only resident of a new development next to a park, where overnight tents with refugees appear. If nobody means no harm, why, then, do their paths cross and the situation gets tragically out of control?

A film that reveals how much more we have locked ourselves down in our bubbles, even though we have so many ways to communicate remotely. It's also about the director's relations with the media she gorges on, or specifically her relations with one channel of a streaming platform that she watches non-stop, and about how she is slowly morphing into a domestic animal.

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?

We were Adam and Eve / then home appliances appeared. Prudencio and Esther's life reflects a civilization plunged into the maelstrom of technology. In an attempt to get their relationship back on track, the couple uses objects to substitute aspects of their own relationship. And now, the sound of the doorbell announces the arrival of a new device, after which things will never be the same.

Mixed images of a hot summer in January. From the last day of the year to the beginning of the month with some hopeful flavor of starting anew.

A non-typical story about immigration—a Taiwanese student in Brussels investigates his identity crisis through a personal documentary essay.

The Journey Home is a new Icelandic documentary about the people living in the most remote shire in Iceland. We follow the photographer María Gudmundsdóttir, who was born and raised in Árneshreppur, throughout the film and see the livelihood of the people living in this shire. María shot most of the film from 2009 till 2014 and the author Vigdís Grímsdóttir took the majority of the interviews.

Two siblings inherit the hotel where they grew up.

‘Aevdhe Se Abhaal’ (literally meaning "a tiny little sky") tells the story of 10-year-old Bunty as he comes to terms with the separation of his parents.

The story of this film is an aesthetic narration of the death of a Kurdish Family, along the 20th century.

Avdotya has been thrust into a time of trials: her husband is at the front, and she and her family have been forced to flee from Germans who have occupied their village, and hide in the forest to await the advance of Soviet troops. Suddenly her elderly husband dies, leaving her with a young daughter to take care of alone.

When filmmaker Karima Saïdi’s mother Aïcha develops Alzheimer’s at the end of her life, Karima decides to make a film portrait of her at her Brussels care home. Before oblivion descends for good. Aïcha is becoming increasingly confused, and Karima takes her on mental journey back into her past. The filmmaker uses Aïcha’s stories and a wide range of family archive material to create an impression of Aïcha’s life. We start with her youth in Morocco, are shown how her husband brought her from Tangiers to Belgium, and how she later went on to raise her children as a single mother.

Pepé describes his house. He plays in the rain. At night he admires the stars, enjoys the vegetation and the colors of the afternoons. The animals around him look at him in amazement, he infects them with joy. Pepe is happy to live in his house, which is Earth.

A reclusive man living in the forest meets a stranger in a way that is as natural as it is improbable and takes the risk of coming back to life.

German film released in 1912 focused on a servant girl.

The composer Berki András, in his co-tenancy noisy with the barking of dogs and the hullabaloo of children, is unable to compose the new song for his fiancée, the singer, although the premiere is near. He cannot believe his eyes as he sees the official decision that he will soon get an apartment on his own. Yet his joy is soon over. The pharmacist Ács Éva arrives with identical documents. The situation which evolves as a result of the new co-tenancy forces them to cover up things before their partners.

Ten years ago Keisuke went to Tokyo to become a musician. He receives a call from his far off hometown informing him of the funeral for his older brother who went missing while fishing at sea. Having lied he achieved success in Tokyo, Keisuke is hesitant but nevertheless returns home. Gathered at his parent's house are his father who lives alone; his brother's ex-wife; Hiroshi, a classmate who was the last to see his brother; and Hiroshi's younger sister Nagi who bears a limp.