Film Home Is

A sequel to the cult classic Jan Uuspõld goes to Tartu or 186 Kilometers.

On a Magical Night director Christophe Honoré shares a short film while quarantined in Paris.

The Chen family contagiousness extends to taking on an extra-marital affair. Gua Ah-leh is at the movie's centre: she shines as Lung's wife, who finds she has a thing or two to learn from the gigolo after Lung blithely. Lang Hisung plays old dentist for broad comedy he is sixty years old.

It compiles more than twenty years of passionately recorded “pictures from life” captured on super 8, that Vukica Djilas shot from 1970 to late 1990s.

“Villa Mehu – A Lost Home” is a poetic short documentary about the destructive force of time and the fragility of one man’s lifework. It’s a melancholic journey to the past, a visit to mystical Villa Mehu built by a deceased ITE artist Elis Sinistö. Located deep in the woods of Veklahti, Finland, Villa Mehu served as Sinistö’s home for 50 years and it was also the greatest artwork of his life although it has never got the respect that it should deserve. Today, after Sinistö’s death, it is decaying slowly but surely towards its final demolition without anyone even noticing. “Villa Mehu – A Lost Home” takes its audience to a hypnotic journey through the bizarre yet beautiful world of Elis Sinistö. It is both a tribute to his lifework and an attempt to save a little piece of Finland’s cultural history.

Mario and Sergio are pregnant. They don't have uterus, neither ovaries nor mammary glands, however they are longing to become parents. This Family Story explains their long way as parents candidates. From the very beginning when they feel a strong instinct until the birth of their beloved son, Galileo, by means of surrogated pregnancy.

Rob takes a drag on a neighbor's crack pipe, his bills start piling up and one day, a letter arrives: his house is going to be repossessed. He packs a tent, gets on his bike and starts cycling.

Two family stories, a century and two metropolises merge into one: Weina Zhao. Her parents called the little daughter "Vienna" when they emigrated from Beijing to Austria. Weina's journey back in history - from the cultural revolution to modern China - touches on the major issues of the 21st century: migration, identity and coming to terms with the past.

She finally got her first house in her life, and she entered the house with a happy heart. At that moment, I hear footsteps... Why is there a man in my house I don't know?! After a slow conversation, a woman who has been scammed by a contract... a man who lets them live together until the problem is resolved. Their dizzying cohabitation begins.

Francesco and his mother live together in an apartment behind the Pavía cathedral. The son looks after his mother who's been in a wheelchair for a few years. All days are the same, but Francesco's dreams start merging with quotidianly to transcend the rooms and hallways that have become his whole world.

Ippo and Honoka Sakurai grew up in a seaside town and have happy memories of their childhood playing near the ocean. But those memories faded after their father walked out on the family 20 years ago. And now, although Ippo’s job involves lending support to lonely clients with emotional scars, he himself has difficulty with relationships. He does not even keep in contact with his sister Honoka although they both live and work in Tokyo. One day, Honoka returns to the family home to announce she is engaged. Ippo happens to return home at the same time. And everyone is shocked when their father shows up unannounced.

In March, 2011, the Fukushima Nuclear Power Plant exploded, causing a large amount of radioactive effluent to leak. Iitate Village, designated by some as "one of the most beautiful villages in Japan," was more than thirty kilometers away. But because of the direction of the wind, snow, and rain, it was heavily effected by radiation. For this reason, a month after the nuclear disaster, the Japanese government ordered the municipality to evacuate entirely. As a result, approximately 6,000 residents were forced to leave their homes.

A montage of found footage from movies in Italian along with shots of Tina Aumont and Frédéric Pardo in the Luxembourg Garden, and in a country cemetery. The film then shows scenes of a lunch in the garden of a country house, where we see Tina and Pardo's father.

A brand new look into the story of Kevin McCallister by the polish geniuses Dominik Dudzik and Jas Dmoch.

A river reflects everything without carrying it away. But time — it takes everything away without reflecting anything... A story about teenagers in Kyrgyzstan.

“The Earth with be obliterated in 2012”. “That sucks”. A man carrying a black lump. A screaming male high-school student. A prophet. A throng of children. Sound that sticks out of the shot, sound that comes in, sequencing and cutting off of images, and editing that undermines the independence of the shot make explicit the uncertainty of “now/here”.

Each day before dawn, 67-year-old Kobra goes fishing in a small rowing boat tied to her porch. Her house stands on the water's edge. It is a tough life. She tries to sell her meager catch at the local market to support herself and her old invalid mother, but she must fight with dealers and thieves (of her fish net) in an all-male environment first.

A mother brought about her own downfall after she joined a cult and murdered her own son. Her daughter, who left long ago, now returns to this broken home. Reflecting on the meaning of family and life, she tries to rebuild a 'home' for everyone.

There is no God's image, they're all shamans. The first masterpiece at the newly renovated Haeoreum Theater by the National Dance Company. The work starts with 'Shaman' and 'Naerimgut (Initiatory Ritual of Shamanism)'. The dancers on the stage are all shamans. The journey of shamans, who are isolated from society due to their special abilities and are reborn through Naerimgut, which soon accepts fate and enters the dance, and shamans who overcome adversity and enter life again, continues beautifully. The title of the work, "See You, I'm Home" is a greeting each shaman gives themselves, and a friendly greeting to everyone. The colorful aspects of shamanic culture, a common property of mankind, will fill the theater like a panorama in harmony with intense physical energy, images, and clear music.