Film Gratuit La Vie Scolaire

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.

The film takes place entirely in a gym, outdoor swimming pool and table beneath umbrellas where guests can have lunch. The action has a interweaving of betrayals heterosexual and homosexual.

LA LUPA is a documentary that explores the different experiences of motherhood. Some personal adversities reveal the director the desire to be a mother but at the same time they boots her to interpellate and deconstruct herself. Her search develops in the international context of a new feminist wave. Identified with a gender perspective, she travels through three countries that influenced her: her homeland, Argentina, Italy and the country of her maternal grandparents, Norway. In this sentimental journey, she focus in the dominant patriarchal system, contrasting the cultural differences in the role of women, the social realities that propitiate or diminish family development and the encounter with women who inhabit motherhood in different ways, discovering in the nature of a winding and rhizomatic journey to find her own way.

An Argentine photographer, correspondent in the war in the former Yugoslavia, who is fired in 2002 for refusing to fire colleagues at a TV channel, keeps his compensation in a bank in Buenos Aires and looks for work. Suddenly, “el corralito” appears and, despite a law approved in Congress, the Government does not respect it and negotiates with the money from savers. Given this, the photographer surrounds his body with sticks of dynamite, goes to the bank where he has his $150,000 and threatens to blow up everyone who is there if they don't give him theirs. When he is released from prison, he flees and seeks refuge where he was born and raised 35 years ago. There he meets his best friend, who helps him defend his life.

A man falls in love with a terrorist.

Empire-building philanthropist has no time to indulge his wife's romantic fantasies.

Returning late from a romantic date, a man searches for every possible and unimaginable excuse to explain his lateness to his wife. His guilt turns on him when he finds out she's not home. The character created by Sasha Guitry in 1915, eaten away by jealousy, then imagines all her adventures.

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.

Doc Saxon and his gang rob the Crown City bank but are double-crossed by Carrasco, a Mexican bandit, who steals the gold and leaves Doc and Donovan with nothing.

Immediately after Lisa declares that she is leaving her immature, abusive, but easy-going husband Robert, he is reported dead in a plane crash. Secretly still alive, he convinces her to collect his life insurance, although she knows that it's a bad idea. Lisa must contend with the complications of the scheme, which involve an aggressive suitor, Robert's jealousy, and her own guilt.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Three friends leave their village for a retirement home travelling the countryside