Film Garden Of Remembrance Vostfr

Since weeks it’s cold and wet. It’s already late, Karl Winter is on his way home. Under dark circumstances he accidentally meets a woman of mysterious fascination – Martha… And so begins a love story of fatal dynamics which throws Karl far off the tracks of reason. Wicked dreams and subliminal changes in Karl’s surroundings confirm his feelings that with Martha the uncanniness has also entered his life.

Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...

A few days ago, Lucia (Assumpta Serna) receives anonymous letters in which he is forced to perform certain actions that she accepts without question. Her current boyfriend, Arthur (Xabier Elorriaga), suspects the mysterious sender can be Lucia's former lover, whose strange death never reached clarified. Now it's time it's Arthur who put the cards on the table to get to the bottom of it.

An accident causes a wealthy man to swap souls with a poor woman.

My Garden of a Thousand Bees follows wildlife filmmaker Martin Dohrn, who turns his lenses on the surprising and spectacular bees living in his own urban garden in Bristol, England.

Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.


An artist sculpts clay in their studio while telling stories about their predecessors. The work affirms the artistic process as a circular gesture, one that starts with gifting the earth. 



An adaptation of the Book of Genesis by Bernardo Goya.

A ship carrying Conquistadors is wrecked and the survivors are thrown ashore to struggle through the Yucatan jungle.

Jumping in to Drop Zones eight to ten miles from Arnhem on the second day of Operation Market Garden was always going to be difficult for Brigadier “Shan” Hackett's 4th British Parachute Brigade. With little information on how 1 Para Brigade's battle went the day before or what faced them on the ground the stage was set for an epic battle. John Waddy, v company commander in 156 Para Battalion and a team of Arnhem experts cover the ground where 4 Para Brigade fought with 9 SS Pz Div in the woods to the west of Arnhem in what was to be an unequal but heroic battle; the result of a flawed concept and plan.Driven back the Brigade was withdrawing across LZ P when the Polish heavy lift gliders swept in to cause. Captain Quirepel was awarded a posthumous Victoria Cross for his action in helping stem the enemy advance long enough for the Paratroopers to escape across the railway embankment by nightfall.

A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.

Tales of the Copper Cross Garden: Episode 1 documents the process by which copper is drawn into wire from glowing, semi-liquid ingots. A choral mass provides the soundtrack, while sporadic all-caps intertitles weave biographical details (Baloji grew up in the mining region of Katanga in the Democratic Republic of Congo) with a reflection on the role of the Church in the colonial enterprise in Africa.

The emotional story of a mother giraffe, Mama Twiga, and the struggles of young giraffes and gazelles as they take on the risks of growing in the wilds of Swahili.