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Summer 1991. The last days of the Soviet Empire. Dark clouds gathered over Moscow as the Soviet government prepared to turn back the clock of history. While the world focused on the crashing Soviet Empire, this film focuses on the people who would've been among the first to suffer repression - the women and men who have broken sexual taboos in a consummate act of liberation against a rigid, crippled world. This is a view from their vantage point, unveiling the shadow-side of Soviet culture in the wake of the revolution, where the real provocative nudity is the nakedness of the soul.
Atmospheric story about the special connection between a savage garden, and the gardener taking care of the huge plants. Who would have thought that he forgets them on their most important day?
After his father's death, Yusuf goes to his village, where he has not been for years, and learns that a geothermal company wants to buy his father's agricultural lands and drill a well. He wants to solve problems without disrespecting his father's memory, but things don't go as he hoped.
Ramila and her father, Lokman, went on an outing to Hurxide's orchard. On the way, her father taught her to drive. Ramila had been suffering from diarrhea and relieved herself in the wild many times on the way. However, the two chatted and joked, in a very happy atmosphere, and the daughter expressed the hope that her father would find another life spouse. After a while, they arrived at their destination, an orchard run by Hurxide. In the orchard, Ramila felt that Lokman was having an affair with Hurxide , who turned out to be her father's girlfriend to-be. However, Ramila, who had hoped her father would remarry, felt a little disappointed. On the way back, Ramila did not want to sit on her father’s right to fasten the safety belt on the excuse of hot weather. Lokman sensed his daughter's mood. Just at this time, Lokman picked up a wild rooster on the road and brought it to his daughter. Night was coming, the car was driving forward, just like the endless life.
The wild Jon Esping bets that he will become a churchwarden. He, the upstart and the illiterate who can only write his name, a fox in business, a stud among women and a brute in general, wins the bet.
Six poetic pictures, five based on the sun, the wind and the sea, while the last lingers on a small park left fallow.
Kaveh ( Mohammad Reza Foroutan ) and Aban ( Khazar Masoumi ), a young couple who fell in love with the heroes of our story, are foreshadowed by Bijan, Ali and Said looking for them for gardens such as Paradise of Idaho, and in this mysterious journey, we lay in layers Inside love.
A gentle and confused home movie in search of a lost space - my grandmother's garden, where I spent my childhood. There is nothing to testify to that place and my time there. There are memories pollinated by the pollen of garden poppies the warmth of my hands, toiling in the sunshine and the stories of adults about the big world. Summer, reveries, childhood, prejudices, the realities of the noughties, a small town - shimmering images that can never manifest, but endlessly manifest themselves. The intimate experience is torn by externalised reality: the formerly Latin poppy becomes a threat to gardeners and gardeners, bugs represent terror and flowers represent death.
Fruit farmer Van Leeuwen is diagnosed with advanced Alzheimer's. His eldest son, lawyer Ernst, arranges to have him admitted in a residential home. Ernst's shy brother Nico, who stayed on to take care of dad and the farm, made a mess of it business-wise. Meanwhile traumatic memories rekindle and dad sort of organizes a riot, demanding an excursion to his orchard.
A young journalist, Angie, is challenged to investigate a mysterious incident: the death of a transvestite by the name of Ningrum. After his death, his bestfriend Chyntia experiences bizzare events and terror.
An indigenous teacher implements the use of Ayahuasca in her classes in order to connect her students to another reality. During a ritual, one of the children comes upon a weird gear in the forest.
A close-up study of a spider at work.
Persian Garden, gives a behind-the-scenes look at the largest and most ambitious art exhibition in Iran since the 1979 Islamic revolution.
Short film.
Garden Lovers is a documentary love story about Finnish couples who have a passion for gardening. The film with comic undertones looks at their stories behind the hedges. The garden provides a framework for tales of relationship conflicts and joys; it depicts the many ways in which life can flourish; it gives strength and unites, but it also becomes a meeting place for farewells. There is an invisible bond that grows between the couples in the film; they comment and comfort each other with their own stories.
Jardín en el Mar is the story of an exceptional project. Several years ago, a group of enthusiastic and committed people started to work for the protection of the Islands in the Sea of Cortez in Baja California Sur, Mexico. Thanks to this effort all the Islands became a UNESCO world heritage side, but the story of Espíritu Santo island is especially remarkable. It was bought back from different owners and donated to the people of Mexico for its conservation in perpetuity. To celebrate the success of all the efforts and to remind people of our close relation to the ocean, renowned Spanish artist Cristina Iglesias was asked to make a piece of art for the Island. Cristina decided to create a "Garden in the Sea", a labyrinth-like setting of various screens sunk into the sea, that nature will grow over, generating marine life.
This film depicts a wife, in the process of starting a small garden on her home balcony. Although becoming gradually beautiful, the project evokes a cascade of feelings and bitterness.
Focused on his neighbours, Le Ciel dans un jardin continues the conversation, begun with the previous film, which is imbued with melancholy in the face of the impossibility of returning. This future mourning gives a particular colour to his observation, a combination of indifference (the repetition of the days governed by the principle of subsistence) and acuity (the contemplation of small things and of lost moments). The value of the shots finds itself enhanced, from the tactile close-up that captures the elementary actions—cultivating, eating, smoking—to the widest frame, espousing with a final gaze the frontiers of world that is about to be incorporated by the filmmaker as an interior landscape, a mental object. - Emmanuel Chicon
Elena goes home to the village, located on the front line in the "gray zone" of the Donetsk region, where she spent her childhood. In the garden, so that weeds do not climb on neighboring areas, her brother planted mustard. The girl lies down in the prickly grass and remembers how large and tasty apricots, cherries, pears and cherries were once.
Hikari is a newly expectant mother cohabiting with her boyfriend Taro. However, their relationship seems to be on the rocks. The couple has had trouble finding steady employment since graduating from college, and mounting financial problems further strain their relationship. Taro has a secret: he’s been relying on his eccentric aunt Kyoko, who has been acting strangely since losing her husband at a young age. Hikari’s first encounter with Kyoko does not go well, but Hikari visits Kyoko’s home unbeknownst to Taro and is introduced to a world where young women take part in bacchanals. This could spell doom for her relationship with Taro...