Film En Corps Gratuit

Triptych on the relation between body and nature.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

A priest falls in love with a neurotic actress in a therapy workshop, he moved to Paris to try his luck with her and discovers "the Spanish Inn" of love and sexuality.

Liz is a high school student who is nearly paralyzed with fear. It doesn't help any that the boy she likes has a little secret... he is a member of the Reserve Spy Training Corps, a training program for high school students who want to pursue a career as a spy. Her dealings with him force her to face her fears... and overcome them with the Word of God.

A group of WW2 soldiers who were never meant to see the front lines. Not only did they end up on the front lines, but they were under-gunned and under-manned. Patton called them his "golden nugget", the Nazi's called them "The Ghost Corps".

In Pas d’apparat corps, Toronto-based choreographer and performer Calla Durose-Moya continues research that she developed during her residency at Lake Studios (Berlin), a project concerned with the psychic impact of trauma related to the facts and gestures of day-to-day life. Video artist Guillaume Vallée lends his expertise in filmmaking to the project, and Hazy Montagne Mystique & Pulsatilla create a deep, organic soundscape using both analog and digital instruments. This collaborative project, developed as part of a summer 2020 creative residency at Studio 303, seeks to reveal possible connections between bodily practices and the body’s singular physicalities and analog video.

Destiny's Child, KISS, and Hootie and the Blowfish rock out for Marines at Camp Pendelton.

Historical single - band video on the question of my approach: exploration of digital bodies in 13 sequences.

An artistic approach to finding soul and body through music.

A girl wakes up and heads to work in Pascale Bodet's first short film. Screened for the first time since it was shot three decades ago, Corps social demonstrates that something as simple as a meal or a bike ride can take on a playful and ineffable dimension. In her films, those moments in which seemingly nothing happens become a discreet but luminous choreography of everyday life.

This complex piece is composed of a cylindrical space with padded walls where the viewer is invited to enter and see a video of Hatoum’s internal body. As such, she makes use of indispensable medical imaging technology (that without, the work would not exist). Hatoum uses the strategy of abjection in displaying the internal cavities in a way that has the effect of swallowing up the viewer. The abject destabilizes boundaries.

Sophie Bredier, born in South Korea and then adopted at four and a half years by a French family, is pregnant. This event upsets her with her intimate and social identity. How can you have a child yourself when you know nothing of its origins and you feel foreign to your own body? This inner journey leads her to reflect on physical difference and roots, on the links with those around her while returning her to her double childhood - French and Korean. And if finally she could find the words to transmit them to her child…

A master occultist revives her recently deceased father in order to take care of some unfinished business. But shortcuts in the resurrection process result in his needing to accomplish more than merely his own objectives.

A camera enters all the organs of a human body and explains the way they function.

Inspired by geology, science fiction, and documentary archives, CORPS MINÉRAL integrates a narrative co-written by Gabrielle HB and Charline Dally (Le désert mauve). The film connects the spaces of our lives and of our sensible experiences with geological phenomena of immeasurable temporality. The layers of memory, whether they are contained in the rock or in our cells, are part of a cycle from sedimentation to disintegration. The work invites us to apprehend these processes with attention and empathy in order to consider their slowness as a means to heal even the deepest fractures.