Film Don Gratuit

A documentary film that tells the story of the origins of Riot Grrrl in the American independent music scene of the 1990s, and how this feminist movement evolved into a revolutionary underground network of education and self-awareness through music, writing, activism, and women-friendly community.

Four friends gather for a game night on Halloween and find themselves playing an evil board game that will pit them against each other. Can anyone outsmart the game?

Todd is a handyman for a house rental company that is forced to clean a unit where he found the dead body of the tenant several weeks before. While cleaning, he comes in contact with a possible drug that enhances the imagination. He finds that the imagination is not just thought, but is a sense that sees something best not seen by man...something that will lead him into the discovery of evil spirits that live all around us in the dark. Things that have existed for years in the shadows and don't like being seen.

A short horror film about a tortured woman who must decide how deep into her own darkness she is willing to tread as a looming force promises her everything she has ever wanted.

A blissful winter's day, a young squirrel attempts to find escapism in walking the tree top branches.

A short documenting the pathway to inner peace with self, the unfortunate burden of accountability, grief and growth come crashing together with the help of a worldwide pandemic. Unified struggle can create an isolating disconnect.

'Please Don't Stand Up When Room Is In Motion' is a documentary about Novo Amor and the making of his recent album 'Cannot Be, Whatsoever'.

"One sees a close-up shot of a glass being filled with water. Bubbles are formed but slowly the water regains its still quality. The glass then acts as a deformative device between the viewer and the artist, as a hand is writing "don't do to her what you did to me" on the back of the photographs. Everything is still again for a short while until, slowly and majestically, a flush of black ink flows downwards, staining the water... The ink preludes the more dramatic fate of the repeated haunting images, the deceased woman. One hears a metallic sound as the photographs move in a more frenetic spin. One is aware of the glass again, of the limited space where a struggle takes place between a probable spoon and the photographs which dematerialise under one's eyes. The sheer immediacy of the destruction process is intensified as the image dissolves into an organic paste. Then, a woman, the artist, drinks the solution, the last ironic phase of the talisman." -S.Z

A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.

A feature length portrait of conductor Sergiu Celibidache; four years in the making, director Jan Schmidt-Garre collaborated closely with the musical director of the Munich Philharmonic.

A group of children, ages 5 to 9, share their advice for parents to help kids adjust and cope when families go through a divorce. Through drawings, songs, photos and memories, these children share their stories of how divorce has impacted their lives. The result is a rare chance for parents to hear kids' insightful, funny, and often heartfelt thoughts on how to do a better job.

A woman is woken by a strange entity.

This third story of six focuses on a particular kind of international politics, one that played a unique and powerful role in the destiny of South Africa: the battle against apartheid in sports. This wasn't the first time that sports played a part in world politics, but it is the only time that sports has so deeply affected the fate of a nation. Although economic sanctions are hard to win, cultural boycotts, especially sports, become the movement's first victories. The conflict shifts in time and space, over years, in many sports, and many nations. In the end, South Africa is changed forever and so too are other countries, as the sports world, from the Olympics to the rugby fields, declare they won't play with Apartheid.

Prepare to rock out with this compilation of extensive live performance footage, television appearances and music videos of alternative Boston rockers Galaxie 500, who specialized in moody rock dirges in the late 1980s. Included are performances at the Middle East in Cambridge, Mass. (featuring previously unreleased material "Back in Your Life" and "Buzz in My Head"), the Kennel Club in San Francisco and Club Lingerie in Hollywood.

“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.

In this portrait, Kahlil Joseph takes us into an enchanting recording session by musician Alice Smith. Audio and video are not synchronous but blend to form an intimate portrait of a singer and a filmmaker, in deep concentration, engaged in a creative process.

Documentary - I Love You Mom, Please Don't Break My Heart is the true story of one boy's journey through a childhood of physical, mental, and emotional abuse. -

The music of lovers on screen is a melancholic exploration of how the very act of expressing private love is a form of quiet rebellion against the loneliness of immigrant life outside one’s home country.

For a comedian, when life sucks, the material’s good. If life gets really bad, that’s even better. If it’s completely horrendous then it makes for a great show. This should be a great show!

A weather girl reunites with her old crush, a haughty reporter at her TV station. But this time, she has her eyes on someone else -- his best friend.