Film Deja Vu F

An alcohol advertisement cut to look like a movie trailer.

Hector meets Truquette on Bastille Day and becomes obsessed with seducing her. The plan is to get her to the seaside pronto. Pator is not complaining, especially if her friend Charlotte comes along for the ride. So off they go, down the country roads of a broke and broken France. Times are hard ! Suddenly the government cancels a month of summer. Everyone back to work! A wad of cash and two gun shots later, the group splits in two like France itself. But careering away from work in no way daunts the remaining trio, dead set on relocating the Bastille Girl and reveling in an endless summer.

L.A. shop owner Dana and Englishman Sean meet and fall in love at first sight, but Sean is married and Dana is to marry her business partner Alex.

John is convinced he's been on this planet for longer than his lifetime. This feeling of knowing more than what meets the eye troubles him deeply. To find some peace of mind, he decides to consult an hypnotherapist to dive into his subconscious and get some clarity. This leads him to find some truth in his beliefs: the one that he has been living through multiple bodies, for centuries.

A Christmas angel grants a wish to a Christmas hater, to have her life as a singer.

The film tells the story of a man, Mihai, who is going through midlife crisis. After a 15 years marriage, he tries to regain control over his own life and starts an affair. Though Mihai is the main character of the film, he is never seen onscreen, but his personality is shown through his mistress, mother and wife, as well as through gestures and attitude.

Famous opera singer Dmitry Hvorostovsky performs live songs from his album 'Deja vu' by composer Igor Krutoy about life, love, music, fate and even death at the Kremlin Palace.

"Extraneous" - It has been funeral. The elderly couple, Emma and David, pamper their deceased friend. After the funeral, they invite the guests for a drink and a little nostalgic conversation about what has been. When the guest are getting ready to leave, two men remain.

A toy penguin rolls through the beautiful interior of a seaside house, marveling at the wonderful sights inside and out.

In the city of “Evia” several residents are infected with light. A girl discovers what appears to be the host. She befriends it, feeds it and houses it, to the disapproval of the other residents. They want to drive the host away. A persecution begins…

A cinematic experience by Douglas Gordon - in which the film D.O.A. is screened simultaneously on three screens beside one another, but at slightly different speeds. The films quickly fall out of synch with one another. Déjà-vu uses footage from D.O.A. 1949-50, a Hollywood thriller directed by Rudolph Mateé. The film has been transferred to video and is projected simultaneously on three parallel screens at normal speed as well as slightly faster and slightly slower - 25, 24 and 23 frames per second (left to right). This has the effect of making the three identical narratives diverge increasingly over time, and inducing in the viewer an experience similar to déjà-vu.

In the city of Evia, residents are infected with light. A girl discovers what appears to be the host. She befriends it and houses it. The other residents are not delighted. A persecution begins.

Five women share a sense of déjà-vu.

History repeats itself in Disaster Deja vu, an action-packed series that showcases cities that have been hit by the craziest disasters, not once but twice! Using cutting edge GFX, original film footage, and archival photos, step inside each of these disasters as they struck in both historical and modern times.

Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras ­ whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.

Psychological drama revolving around a couple caught in a living nightmare after the death of their young son in a car crash.

A young woman meets with her best friend in a local diner to tell him about the fantasy she recently accomplished. But when a mysterious man enters, she is struck by a feeling of deja vu.