Film Deja

To what extent does a director stay objective and anonymously hidden behind the camera? The Danish director Jon Bang Carlsen knows for sure that the choices he makes in his films aren’t accidental. Several excerpts from his own work show that events in his personal life have a major influence on his work. In fact, he appears to be using images that he recognizes in particular. It’s a revelation for this filmmaker, who used to think he could stay objective and invisible. Topics such as doubting his faith, his runaway father and impressions from a carefree childhood are recurring themes in his diverse oeuvre. Showing us individual scenes, Carlsen comments in voice-over on the images and muses about his life and work.

C'est déjà l'été is a portrait of a family, but above all the story of a teenager who's life seems to be pushed of track by the lack of a normal family and desperately, purely by instinctive battle, tries to lift himself out of his wretched, semi-feral existence.

Histoires courtes, the France 2 program, gives carte blanche to Bertrand Mandico who brings together three of his short films here: Rainer, A Vicious Dog in Skull Valley, Nous les barbares and The Last Cartoon.

A live performance of King Crimson's "double trio" formation, from Tokyo, Japan, recorded October 5-6, 1995. The "double trio" formation was: Robert Fripp and Adrian Belew (guitars), Tony Levin and Trey Gunn (basses, Warr guitar, Chapman Stick), Bill Bruford and Pat Mastelotto (drums).

Divided into 10 segments we hear from cast and crew. We learn about filming the opening ferry explosion, Washington's character and performance, makeup and costumes, the Time Lab and technological issues, the car chase, shooting in New Orleans, the Washington/Bruckheimer/Scott collaboration, physical sequences, and the concluding ferry scene.

A man who experiences deja vu when he spots a woman sitting on a park bench - a woman he remembers from a dream but has never met. When their paths finally cross, a portal opens which takes each of their lives in unexpected directions.

Two estranged brothers are forced to meet at the family's beach house to settle legal matters after their father passes away. In the midst of their disagreements they discover that they have more in common than they thought.

Psychological drama revolving around a couple caught in a living nightmare after the death of their young son in a car crash.

Dark suit, white shirt, earpiece and wooden plate ..., his style remains anchored in the collective memory. Favorite host́ of the French during the 2000s, ideal son-in-law successful producer, his rank of star and flayed́ alive have caused him to burn his wings and lose his feet. This documentary evening recounts the breathless life journey and the twists and turns of Jean-Luc Delarue's career. Telling Jean-Luc Delarue is to tell several lives, the ambivalence of the character publicly strong, powerful and ambitious, but ultra-sensitive and tortured in the intimacy.

“A pink moving screen will stand at the entrance to the theatre, in the night. One hour before the screening a projectionist will show Griffith’s Intolerance on this screen. The start of the film will be announced at 8.30 but no one will enter before 9.30. During these 60 minutes of waiting, people on the first floor of the building will shake out very dusty carpets, and someone else will throw ice water on the heads of those spectators waiting for the screening. Some actors who have infiltrated the crowd will insult other actors on the first floor. At this moment only, and to stop the beginning of a scandal, the doors of the theatre will open…”

When a young man finds an old camcorder in a forgotten server room, he is let in on a revelation on time and himself.