Film De Guerre Complet En Francais Vf , Streaming avec sous-titres en Français, de guerre || Regardez tout le film sans limitation, diffusez en streaming en qualité.
"Voces de la Guerrero" is a documentary that shows the results and experiences of a photography and video workshop imparted to a group of street-kids at the Guerrero quarter in Mexico City. Apart from being the main characters, these guys are, to a great extent, also the directors of the film.
Normandy, June 5, 1944. In a cave serving as a hideout, a small group of resistance fighters find a wounded soldier unable to speak. He wears an American uniform with German boots. Who is he ?
A TV documentary that recounts the many "battles" Coco Chanel overcame to become the great businesswoman and legend she is considered today.
A wrestler, a madman with a super-powered metal glove and a female psychic with a furry sidekick all clash.
The documentary film by director Bartomeu Vilà relives the experiences of one of the last cinematographers of the Republic, Joan Mariné, exceptional witness to a moment in the history of Catalan cinema that, despite the economic precariousness, the lack of means and the difficult international circumstances, was characterized by its high production, never surpassed, and its innovation in forms and contents. Through the memories and experiences of Joan Mariné (Barcelona, 1920), the documentary takes a tour of the films he filmed during those years of contention, both with the Sindicat d'Espectacles de la CNT/FAI, and later with the production company of the Republican Generalitat, Laya Films.
This document is the final chapter of the history of Brazil's Amerindian tribes caught up in the trap of modernization. The Parakana Indians undergo the first contact which begins the process of their pacification. They are attracted by presents laid out in the forest, then settled around camps. They are then confined to indigenous reservations before being completely assimilated by our conquering civilization. All such pacification is initiated through strategic or economic pretexts. The Amerindian civilizations of the Brazilian Amazon are either dying or definitely defunct.
Ibéa Atondi uses the story of a return to his home country, Congo-Brazzaville, to adopt an unusual viewpoint on the wars of contemporary Africa. Fascinated by the bloodthirsty madness of Mignon, a Cobra fighter destroyed by alcohol and drugs, the female narrator attempts to grasp the mechanisms that drove him and his companions to abandon all human dignity. No images of violence are used to evoke the horrors of war; this is done through use of metaphor to underpin the statements of victims and executioners.
