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On the XIX Century in Sierra Morena in Serranía de Ronda spread bandits thant cause panic in the cities robbing and killing travellers.
Rookie reporter and his publisher's daughter get caught up in a bizarre crime/traffic accident noir dilemma.
It's carnival in Rio de Janeiro. Saulo is a gay werewolf who visits the enchanted lands of beauty and chaos in search of new prey. It's on the last night of the carnival festivities that he meets Gustavo, a new crush who could be his last prey. “Carne Fresca” is a carnival fable about werewolves and hunters in a marvelous city.
Martina, a biology student, who after moving from her hometown to complete her studies decides to undertake an excursion to the outskirts of the city in search of rare and exotic specimens for research. Not finding the specimen after a long search, she decides to rest by the roadside. At that time, her new psychotic neighbors propose to take her to the woods where they claim is the specimen that she seeks. Martina accepts the crossing naturally, but on the way the thugs kidnap her, determined to cause all sorts of sinister and gruesome acts, both physical and psychological. The story takes an unexpected turn when Martina decides to release her pent- up anger.
Three lives in search of redemption intersect in the streets of Lima: undercover cop Gamarra’s desperate attempts to save his wife from a terminal illness gets him into trouble; bus driver Felix wants to be accepted into a religious sect after his involvement in a tragic traffic accident; and imperiled soccer club leader Narciso tries to secure his younger brother’s release from prison.
Mexican feature film
A disembodied brain from a super villian known as Hector Con Carne attempts to take over the world with a doomsday machine.
This melodrama was directed by an émigré Russian from a story by Corrado Alvaro and Emanuele Caracciolo. The latter was murdered by the Nazis in the Fosse Ardeatine massacre, before the film’s post-war release. Featuring Miranda and Girotti prior to neo-realist stardom.
An actor's journey playing an assassin on the set of a film that takes place in a Buenos Aires' butcher shop. Short novella from the anthology "Historias breves 7". The Almanac is part of the Argentine National Film Board's (INCAA) Short Film Project Competition and Filmmakers Support Program. This novella was shown as part of an almanac and had separate festival distribution and screenings.
Often, when we wish to refer to the presence of the horrors of a past of slavery in the contemporary world, we evoke the metaphor of the wound. To experience this figure of speech is what Ayrson Heráclito’s performance proposes, standing on the border between allegory and enactment. Participants are invited to put on a cape made of dried meat, on which they marked with hot iron. The sensations, noises, smells, and images created by the action evoke the practice of marking slaves with hot iron, and elicit the collective discomfort in the heart of the Western civilization, seeking a deeper understanding of history and an opportunity to open renewed horizons.
Childhood friends move up the economic ladder from slumrat to middle class comfort, but the marriage between two of them is threatened by a bad woman from a nightclub.
