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Elena loves Abel, she is drowning on the anguish of being, her subconscious manifests her urges; during the funeral misfortune sets in. Laceration and calm, devotion and fear, angst and flesh.
You must live with men. You must not murder them. You must have pale hands and announce THE END OF THE WORLD.
After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Martina, a biology student, who after moving from her hometown to complete her studies decides to undertake an excursion to the outskirts of the city in search of rare and exotic specimens for research. Not finding the specimen after a long search, she decides to rest by the roadside. At that time, her new psychotic neighbors propose to take her to the woods where they claim is the specimen that she seeks. Martina accepts the crossing naturally, but on the way the thugs kidnap her, determined to cause all sorts of sinister and gruesome acts, both physical and psychological. The story takes an unexpected turn when Martina decides to release her pent- up anger.
Mexican feature film
A disembodied brain from a super villian known as Hector Con Carne attempts to take over the world with a doomsday machine.
This melodrama was directed by an émigré Russian from a story by Corrado Alvaro and Emanuele Caracciolo. The latter was murdered by the Nazis in the Fosse Ardeatine massacre, before the film’s post-war release. Featuring Miranda and Girotti prior to neo-realist stardom.
An actor's journey playing an assassin on the set of a film that takes place in a Buenos Aires' butcher shop. Short novella from the anthology "Historias breves 7". The Almanac is part of the Argentine National Film Board's (INCAA) Short Film Project Competition and Filmmakers Support Program. This novella was shown as part of an almanac and had separate festival distribution and screenings.
Often, when we wish to refer to the presence of the horrors of a past of slavery in the contemporary world, we evoke the metaphor of the wound. To experience this figure of speech is what Ayrson Heráclito’s performance proposes, standing on the border between allegory and enactment. Participants are invited to put on a cape made of dried meat, on which they marked with hot iron. The sensations, noises, smells, and images created by the action evoke the practice of marking slaves with hot iron, and elicit the collective discomfort in the heart of the Western civilization, seeking a deeper understanding of history and an opportunity to open renewed horizons.
Childhood friends move up the economic ladder from slumrat to middle class comfort, but the marriage between two of them is threatened by a bad woman from a nightclub.
