Film But

Echo of Klaus Kinski's broken dream, in the face of Werner Herzog's multiple rejections to direct his script on the mad violonist Paganini. A psychedelic trance capturing the visions of a madman; traces of a film that could have existed.

Kunsthal Charlottenborg and CPH:DOX present an exhibition with the French star artist Laure Prouvost, who will open the festival’s first day.

A reflection on the landscape and a dialogue with the welsh poet Dylan Thomas. Images are in-camera editing, three Super 8 cartridges of three minutes by chapter. All four chapters or ‘territories’ are dialectical connexions between sound and image, improvisation related to the image, and montage thought through the sound.

The conclusion to the epic urban saga of 'The Lies We Tell...' Roni seeks revenge on Tank because she feels as if Tank had something to do with Bri being shot. So she takes matters into her own hands.

A young woman's emotionally distressing childhood, fuels her depression, affecting all areas of her life and she must decide to seek help before it's too late.

The first documentary about the little-known world of transvestites in Montevideo. We are shown the most complicated facets of these people, their consciousness of themselves, and their perceptions of the world and of life. We learn about their everyday (and every night) experiences, and how they cope with the bigotry and old fashioned attitudes that are all around.

Comedian Maz Jobrani follows up his bestselling book with a hilarious comedy special of the same title, where he takes on political issues, social issues and his kids through the lens of his Iranian-American background to show that we have a lot more in common than we think.

I've been bad but I've been good too wraps the film's materiality in time, the aging body and the multi-generational bodily experience of excess. A childish or strange narrator's voice speaks to a grandma and at the same time to women and mothers across generations and strata of history.

Oguz wakes up with a phone call from his ex-girlfriend. Shocked by the news she gave him, he decides to call an escort to distract himself. Series of absurd coincidences lead him to confront all that he has been trying to escape.

The boys dance to Grandpa's banjo playing, then indicate that he can't equal their skill. Grandpa gets up and performs an intricate step while still playing the banjo.

Documentary about the effects of market economy and globalization on director Raoul Peck's homeland, Haiti.

A short, black and white film comprised of found cartoons and animations, all re-drawn and re-animated with varying degrees of alterations to the original source material. Drawing from the magic lantern and the evolution of the language and technique of animation, where fantasy and animistic desires, are created through highly rigid and hierarchical modes of production and optical engineering, the diverse found cartoon footage is edited and transformed to paint a picture of a city plunged in darkness, where inhabitants engage in various forms of escapism and confrontation. The plot of the film starts in the guise of a linear narrative where two young adults go out to dance, while a younger child is left behind to devolve into increasingly tempestuous dreams.

Encouraged by his father not to spend all his time indoors playing computer games, a boy sets out on the adventure of meeting his neighbors.

Esmeralda is well aware that if her husband gets fired, they will receive a large sum of money, and her ambition knows no limits.

Fakhita discovered that her husband's daughter has a child from his mistress. He gets angry at him and forces him to divorce her only child, but the latter strongly rejects her attachment to her and her weakness. Which makes the need to pour out her anger by preventing him from using the work car, preventing the servants from carrying out any of his orders, and determining his powers in the company, which will make him plan to marry his mother in order to return to his previous position.

Shot in the Occupied Territories by Israeli director Avi Mograbi, this controversial documentary film draws parallels between the Israeli - Palestinian situation today and the enduring myths of Samson and Masada. Mograbi offers a powerful, at times chilling, lament of the continuing cycles of violence rooted in the past and threatening to engulf everyone's future. With the roots of so much real-world conflict left unexamined by today's restless media, this film reminds us just how vital filmmakers like Avi Mograbi are. Documentary today is rarely immersed in questions of this magnitude - or tackles them with the level of eloquence shown here by Mograbi. An exceptional and challenging film.

We experience a lot of poems as a record of real life. Through the specific Taiwanese backdrop, the poetry film illustrates a series of moments to approach the concept of time, which is not as concrete as we are taught. As a poet, the filmmaker presents her ideas on the nature of reality, existence, what is there and what is not there.

Go behind the scenes with the Stereophonics as they travel from Thailand to Australia to film promos for the tracks from their 'Performance and Cocktails' album. Tracks include 'Just Looking', 'Hurry Up and Wait' and 'Mama Told Me Not to Come'.

A short documentary, created within Restart's "7th School of Documentary Film" 2017/2018 workshop.