Film Book

The survivors of the incident at the old Haney Logging Camp road swore they would never go back to that woods - But Haus did anyway. Watch the terror unfold as his traumatic memories of last year's event come flooding back. And those memories are the least of their problems.

Omar, one of the main figures of the Brazilian avant-garde whose film Triste Trópico (1974) is a delirious interpretation of Lévi-Strauss’ anthropological ideas, made this experimental film as an homage to his friend Raúl Ruiz. In this film, Omar explores the political and artistic differences between both of them, while reflecting on cinema and their respective countries: Brazil and Chile.

Burns and Allen have a dizzy conversation in a bookstore.

A Van Beuren Studios cartoon...

A high school is rocked by a contentious debate over whether or not "The Adventures of Huckleberry Finn" should be removed from its library for language concerns.

Adaptation of Jorge Luis Borges The Book of Sand. The film is built from stop motion photographs to create a living stop motion. The film is part of a project produced by The Everyman Theatre in Liverpool.

The world of a reclusive bus driver is turned upside down when he coughs up a mysterious and unrelenting phlegm creature.

Jesse Bookman, a troubled New Orleans burglary detective gains local fame when he foils a convenient store robbery. When Captain Jones gives Jesse time off due to his heroism, Jesse becomes the target of Lamar Davis, a Bocor (an evil Voodoo Priest), who has been charging the ultra elite of New Orleans to participate in elaborate Voodoo ceremonies. Lamar plans to use Jesse, a true hero, as his first human sacrifice for his demented ceremonies and as payoff in exchange for his own "deal with the devil" for his soul. When Jesse's partner Mac McDaniels puts clues together he employs Jesse's father to stage a daring rescue, not knowing the supernatural forces they must face to save Jesse Bookman.

Two high school girls find a mystical book that promises to give them everything they desire, but their newfound powers have unexpected consequences.

A small, sleepy Utah town gets an undead wake-up call when all of the townspeople of Mormon faith suddenly transform into flesh-eating ghouls! Now, a group of 'non-believers' unaffected by the mysterious epidemic must band together to survive the night and answer the burning question: How do you kill a Mormon zombie?

For 40 years, Gerhard Steidl has combined the roles of printer and publisher, resolved to personally check each sheet leaving his printing shop in Göttingen. This perfectionism, combined with an unconditional love for books, for the traditional printing craft, and a commitment to the quality standards of manufacturing (in the original sense of the word, made by hand), has gained worldwide attention. The most internationally renowned photographic artists vie for the opportunity to collaborate with Gerhard Steidl, to conceive and produce the perfect publication with him.

Coots, an alligator, is cleaning his chimney the day after Christmas when Santa's book tumbles down. Coots seeks counsel from the Critters, a family of raccoons, on how to get the book back to its owner. Before the owner is located, Greasy Weasel and Balmy Bear snatch the book while Coots and the Critters are swimming in a lake. Then, Santa enters the picture and...

The Film is inspired by the work of Urvashi Butalia and Ritu Menon, who co-founded the first feminist publishing house in India: Kali for Women. It looks back on thirty years in publishing and focusses on the feminist politics and friendships that make this survival possible.

"Material that has collected me throughout my life, embedded into the pages of a book, using film as a transferring, alchemical tool. The birds fly, the candle is lit, the eyes open and the powers of pixilation brings active the dead." – P. R.

A comfortable underachiever and serial prankster, in the midst of their quarter life crisis, reunite against childhood enemies in a contemporary suburban epic.

The Great Book Robbery is a powerful and poignant chronicle of cultural destruction. It tells the story of the 70,000 Palestinian books that were looted by the newly formed State of Israel in 1948. The film weaves together a range of storylines to create a dramatic, engaging, and deeply emotional structure. The interviews in the film focus on first-hand accounts and cultural analyses that contextualize the book theft within a larger historical and cultural framework, shedding new light on the Palestinian tragedy of 1948 and its impact on culture.

A mad scientist creates a device to make his dreams come true... or will it?

Shows the production of the London telephone directory.

It’s raining on a small bookstore located between tall buildings. The water is rising and a flood is threatening. The old bookseller in the bookstore tries to save his books. He gets help from an old woman who seems to have plans on how to escape the forces of the weather...