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A film about the value of words in an age of information abundance; about the troubled communication and imbalance between silence, talking and sounds, but also about how human speech shaped and developed and what should be done to reconcile with silence, turning it into Word.
During World War II Eszter has to choose: she either follows her husband abroad, who is chased by the Gestapo or stays with her daughter from her first marriage.
Almost a third of everyone's life is spent in a dream, but this state of "life" is poorly understood. What if consciousness is not asleep? What if everyone is the creator of their own universe, but does not remember about it?.. A number of experiments on the study of sleep were conducted in order to fix the connection between the consciousness of the sleeper and the physiological reaction of the body. Where does consciousness go every night and how does it come in the morning? In the film, the viewer is waiting for interviews with people who are professionally engaged in the study of dreams, the issues of the relationship of religions to dreams, archetypes of interpretation of dreams (the language of the unconscious) and working with them as a way of studying personality are touched upon. The mechanisms of "awareness" of oneself in a dream are considered.
The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.
A story about generation Y, the era of individualistic and extremely competitive people, who believe their meant to be exceptional. A generation where the unrealistic expectations rarely match reality. The story revolves around a young adult who is subject to the same circumstances and above all else wishes to be recognized by truly memorable achievements. Mota says he has been touched by god and is going to write a book about everything. In the limbo between the real world and Mota’s conscience the journey begins. The narrative oscillates between action and inertia, writing and procrastinating. The book of everything assumes an identity crisis. Mota, as other of his age, is subject to social pressure of making it big. He becomes so desperate at the reality of his life that builds a parallel one. It’s a movie about the unachievable realization of the individual.
Rahman (Parviz Parastuyi) falls in love with a Christan woman from Lebanon. She was a Christan but she becomes Muslim before her second meeting with Rahman. So he decides to marry her.
Amateur actors read stories from a book describing the 900-day siege of Leningrad during World War II.
A TV movie about how the hero of Turkmen fairy tales Yartygulak helped the little braggart Murad to become honest and courageous.
Jie and Xuan are a happy same-sex couple but Jie is having an affair; she is torn between her recent love-at-first-sight “true love”, and her lifelong partner whom she’d sworn to grow old with. So, the real question is: who is her meant-to-be Ms. Right – predicted by the almighty algorithms?
The chief of Sampo City Police Office, Seung-u, organizes a simulation of a bank robbery, but a by-the-book cop gets too caught up in the role playing in which the simulation doesn't go the way he had anticipated.
During the Republican era Pan Shizue, young lady from rich family,, is haunted by a demon and has no choice but to invite Taoist master to perform a practice to drive away the fox demon and cheat the fox demon by matching a paper man with a fake marriage. After the marriage with Pan Shizue her fake groom Zhang Shaofeng commits adultery and is caught in a hurry, he hides in a magic house and accidentally unseals monster
In a city from Eastern, Micha struggling with his demons, undertakes a last trip guided by ghosts trapped in a book.
Günter Grass (1927-2015) belonged to Group 47 from 1957 and became an internationally respected author of post-war German literature with his debut novel "The Tin Drum" (1959). His central motivation was the loss of his homeland, Gdansk, and his confrontation with the National Socialist past, which is reflected in many of his works. In 1999 he was awarded the Nobel Prize for Literature. In 2011, Dagmar Wittmers looked over Günter Grass's shoulder as he worked with his printer Fritz Margull or met his sister Waltraut. In Behlendorf and Lübeck, Grass looked back on his years in Paris, family life in Berlin, his time at the side of Willy Brandt, whose speeches he edited. Friends such as the Israeli writer Amos Oz or publisher Klaus Wagenbach, the actress Katharina Thalbach and his daughter Helene gave their views on Grass the man and artist.
The almanac was filmed by students of the 2nd TV directing course of the I.K. Karpenko-Kary Kyiv National University of Theater, Film and Television for four months, which changed the country. These are stories about people for whom the Maidan has become an integral part of their lives - from dancing... to gunshots. These are eyewitness accounts, in which emotions are sometimes more important than words.
The story is based on the popular novel developed from folk legend. It goes that the Manchurian emperor Qianlong of China (circa 18th Century) was actually the son of a Han Chinese, the subject ethnicity. His brother of blood, Chen Jialuo just happened to be the chief of the Red Flower Society, an anti-Manchu secret society. Chen, a learned scholar, thought he could get his brother turn his back on the Manchu and restore the Han Chinese reign. But the story was ended by brutal clearence of the society members. It reflects one of the dark pages in Chinese culture, that ethics and humanity always become impotent when countered with power.
An exploration of the properties of mirrors and other devices of illusions inspired by the encounter with an old edition of Giambattista della Porta’s Magiae Naturalis.