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Eight tales based on the most brutally terrifying Mexican traditions and legends, an anthology of haunting stories woven into the fabric of the Mexican culture, some told through the centuries and some new, but all equally frightening. Bogeymen, trolls, ghosts, monsters, all brought to life. Time for Aztec sacrifices. This is the Day of the Dead.
In a desolate Paris suburb, no one dares challenge crime boss Hagen, who rules his turf with an iron fist. That includes his former friend Chet, who vows to keep to himself in order to protect his loved ones. But Hagen keeps pushing his buttons… and Chet can only stand for so much before he explodes.
Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.
Story of a teenage girl whose father dies. She goes to live with her father's friends, a couple. As a sort of revenge on her Father, whom she hates for abandoning her and her mother, she seduces Murray Head, ruining his life. From destroying his and his wife's lives, her own life is reborn.
The world post-World War II and its transformations; the utopias that were created and the barbarity that have marked it. The dismantling of the dreaming generation of 1968 and the creation of new prospects in a globalized world.
In Pasolini's vision, Euripides' Medea becomes an emblem of the Third World deceived and exploited by the pragmatic rationality of the West (Jason). The sequences of human sacrifice, shot in Turkey, are among the highest and cruelest in Pasolini's cinema. Maria Callas in her only film role, is a lunar goddess of revenge.
