Film A Travers Ma Fenetre Film

Chronophotograph record of a ball falling through a soap bubble.

In 1923, André Sauvage produced his first film La Traversée du Grépon. Dedicated to mountaineering in the Mont Blanc massif, this documentary is a performance that earned him the recognition of his peers. André Sauvage and his companions decide to climb the Grépon, the best known of the Aiguilles de Chamonix, in the Mont Blanc Massif. Early in the morning, they cross the Mer de Glace, climb rocky peaks, abseil summits, cross crevasses, snowfields and long seracs. After sixteen hours of effort, the climbers return to the refuge. With his camera, Sauvage documents the difficult undertaking, also showing his strong passion for the mountains. "The deepest perception of mountains begins where intelligence ends." (A. Sauvage). Two long versions of the film have disappeared, one of 90 and the other of 51 minutes and only eight minutes are preserved.

September 23, 2022 marks the 52nd anniversary of the death of Bourvil (1917-1970). Radio, sketches, boulevard theater, operetta, cinema, songs whimsical or tender, Bourvil is present in all areas of popular culture. Carried by the voice of Valérie Lemercier, this portrait of the artist allows us to rediscover his most beautiful songs, from Les Crayons to La Tendresse, and the highlights of his filmography, from the cult scenes of La Traversée de Paris, Le Corniaud and La Grande Vadrouille to Le Cercle rouge. We also rediscover the richness of his career as a singer and actor, with some little known nuggets. The testimony of Bourvil's two sons, unpublished family films and numerous archives tell the story of the all too brief life of this endearing man.

Singer Marie-Mai and her musicians are at the Bell Centre for the 100th and final show of their tour. Between songs, the singer-songwriter Quebec talks about his voice, his style of dress, her whimsical side and its special relationship with its fans. The energy on stage ball confides his dreams, his childhood and his eternal questioning, preparing duets with Jonas and Marc Dupré, repeating his dance moves with his choreographer Steve Bolton while rushing to perfect happiness her husband guitarist Fred St-Gelais.

Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.

Footage from the dawn of film taken in Belle Époque-era Paris, France from 1896-1900.

A young woman overhears a heated argument between a man and a woman, in a language she does not understand. As she continues her walk, she is left with questions she cannot answer.

After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse’s very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.

A stationary camera looks across Burgundy's river Sâone toward a small military encampment. Four horsemen enter the water in the foreground, each riding his horse as it swims across toward camp or leading it by the bridle as they swim

Every summer, many people transit by sea between France and Algeria, between Marseille and Algiers. Cars loaded to the hood... packages of all kinds... men loaded with bags and stories. At sea, we are no longer in France and not yet in Algeria, and vice versa. From the singular confines of the boat, in the back and forth and the parenthesis of the journey, the crossing puts back in the heart of the passage these women and men brought up.

June 1940, near Saumur. During the exodus, the bridges having been destroyed, a group of refugees, brought together by the chance of fleeing the advancing German troops, build a raft to cross the Loire to evacuate a sick little girl.

A documentary about the first century of pornographic cinema, including extracts from pornograhic films and animated movies. In order to show the evolution of this genre, the film is divided in several parts: "Une préhistoire clandestine" ('a clandestine prehistory'), "Le temps de la libération" ('freedom time'), "L'age d'or du X" ('heyday of porno'), "L'explosion de la vidéo" ('the multiplication of videos') and "Les nouvelles tendances" ('the new tendancies').

Having made it to Italy, an Ivorian named Inza now plans to cross the mountains to France. Without stylisation, the film observes his everyday life: affairs with women, brushes with European asylum law and the impossibility of finding peace.

Five women from the North to the South of Quebec embark on a multisport expedition following the Koroc river in Nunavik. Travelling together against adversity, this journey soon becomes one of self-discovery for each participant.