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Footage from the dawn of film taken in Belle Époque-era Paris, France from 1896-1900.
A stationary camera looks across Burgundy's river Sâone toward a small military encampment. Four horsemen enter the water in the foreground, each riding his horse as it swims across toward camp or leading it by the bridle as they swim
Every summer, many people transit by sea between France and Algeria, between Marseille and Algiers. Cars loaded to the hood... packages of all kinds... men loaded with bags and stories. At sea, we are no longer in France and not yet in Algeria, and vice versa. From the singular confines of the boat, in the back and forth and the parenthesis of the journey, the crossing puts back in the heart of the passage these women and men brought up.
June 1940, near Saumur. During the exodus, the bridges having been destroyed, a group of refugees, brought together by the chance of fleeing the advancing German troops, build a raft to cross the Loire to evacuate a sick little girl.
A documentary about the first century of pornographic cinema, including extracts from pornograhic films and animated movies. In order to show the evolution of this genre, the film is divided in several parts: "Une préhistoire clandestine" ('a clandestine prehistory'), "Le temps de la libération" ('freedom time'), "L'age d'or du X" ('heyday of porno'), "L'explosion de la vidéo" ('the multiplication of videos') and "Les nouvelles tendances" ('the new tendancies').
Having made it to Italy, an Ivorian named Inza now plans to cross the mountains to France. Without stylisation, the film observes his everyday life: affairs with women, brushes with European asylum law and the impossibility of finding peace.
Five women from the North to the South of Quebec embark on a multisport expedition following the Koroc river in Nunavik. Travelling together against adversity, this journey soon becomes one of self-discovery for each participant.
Swimming across Nice harbour fully clothed. Ben swims across a bay in Nice.
Two brothers are hunting a legendary creature. As they hunt, the fog separates them...
Jann Gallois is a dancer and choreographer. Her body is her work tool. Always looking for the right movement, she twists it, bends it, stretches it, breaks it. But memories reappear and the body’s memory, excessively in demand, awakens old wounds. How does this dancer, who says she is "passed through by others and by herself", live with her body?
Daphné, who cut off contact with her family 20 years ago, decides to come back and see her mother, Claudine. She fears the reunion and hope Claudine will put up with who she is now.
Mounted soldiers crossing a river.
Testimonies from four persons which destinies were brutally thrown out of balance when a tragic event made them lose their autonomy.
