Film A Fut

Happy Womb Escape Day IRyS, except idk if I was born from a womb❤　めでたい日はめでたい事しよう！ #hololiveenglish #ホロライブ

On Oct. 14th, 1991, a videotape fell out of the sky and made a large crater in Bloomington, Minnesota. We at Amazing Schlock were fortunate enough to come into possession of that tape in 1998, and we made The Movie From the Future, a documentary about the "space-tape" and its amazing contents. The tape had apparently fallen back in time through a black hole, and on it was a movie called Daddy, I Love an Alien. The film is a fascinating look at species discrimination, robot civil rights, the war between humanity and various aliens, and, of course, love. The Movie From the Future consists of large clips of Daddy, I Love an Alien as well as informative interviews with the scientists who have made the study of the "space-tape" their life's work, as well as with those who believe that the film is a clever hoax perpetrated by desperate filmmakers. Is the film a hoax? If it's not, what can it teach us? Watch the film and decide for yourself.

Hold onto your seats for the action-packed sequel to the 2002 cult classic, "Monkeys"! When Prago becomes enamored with the strangely simian Yoko, John and Mark sense trouble brewing. They soon discover that the monkeys have returned, using time travel to conquer the world in the past! Luckily, the mysterious bum has plans - and a time machine - of his own. It's now up to Prago's friends to fix the damage done to the timestream, and then hopefully find a way back home. So sit back, grab a banana, and prepare to "fight the future"!

Filmmakers that were selected at Visions du Réel in the past twenty editions celebrate the Festival's anniversary by each making a short movie in which they expose their view of the future.

In a small rural community, between the mountains and the sea, no child has been born in the last eight years. This inexplicable long run of infertility is coupled with rumours about women giving birth to animals.

Anselm Kiefer: Remembering the Future imagine bbc

In a future in which a personalized algorithm decides which major students have to pick, Kate, an econ major with an artistic calling, is faced with the choice of trusting the system or trying to subvert it from within.

This is the story of the White River Land Collaborative (WRLC) -- a farmer-led, women-led community-driven initiative to increase land access and farm viability in Tunbridge, Vermont. Their mission and challenge is to transform a former organic dairy farm into a community hub that will support sustainable agricultural enterprises, forest stewardship, and community activities, while reducing barriers to land access for young farmers and local Abenaki land stewards. They intend to build a resilient land-based economy rooted in equitable land access -- a model that can be replicated on farms across Vermont and beyond!

“Where are tomorrow’s opportunities? What’s ahead in America for you and your children?” asks narrator Lowell Thomas. Looking into the future, Thomas predicts economic revitalization made possible through industrial research. The “frontiers” are emerging fields such as aviation and television broadcasting that will create new opportunities and products for Americans.

After the death of her husband, a mother decides to fulfill his last wish and runs the marathon in relays with her daughters. A small problem is that none of them are physically and mentally prepared for running. Furthermore, the relatives and friends are also unexpectedly affected by the women's seemingly impossible challenge.

A fan of retro-futuristic aesthetics is hacked while trying to buy a fake fish tank, facing the degradation of marine fauna and the reality he avoided.

The 16mb, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi, lo-fi films shot in Glasgow.

As the money inside the game of basketball explodes into a multi-billion dollar industry, the players - at every level - want their share of the spoils. And as every layer of the system becomes professionalized, the players are increasingly taught to see themselves as a business first. Featuring 10 years of radical access, THE SPOILS profiles America's premiere AAU program, the Compton Magic, and their visionary CEO, Etop Udo-Ema, as he chases powerful partnerships for his program and game-changing deals for his top-ranked players.

A 16mm film conceived in the format of a TV Play and set in an older peoples care home. Part documentary, part fiction, the script for the film was a collaboration with writer and critic George Clark and was constructed from verbatim transcripts of a discussion group held over a period of five months with the residents of four of Camden’s Care Homes. Taking B.S. Johnson’s 1971 experimental novel “House Mother Normal” as its formal departure point and employing the structural logic of a score, the script is edited into a vertical structure, in which eight voices or eight monologues occur simultaneously. — Anthology Film Archives

People filtering in and out of frames in South Bank, London.

Lost comedy film from Georges Méliès.

Depicts two alternative future worlds. Shows one that is overpopulated, dirty, regimented, diseased, and inhabited by deprived individuals who must fight for scarce food, and another world where inhabitants have small families and enjoy a plentiful world of harmony, learning and beauty. No narration.

Artist Arden Carlson cribs the educational how-to format to render a queerly comic, sparsely staged, meticulously choreographed instructional video for enacting care, and splices it with a series of interstitial stock footage sequences of wild horses, each one narrated by a disembodied voice-of-God praising the attributes of horses with a patriarchal authority defining of 1950s America. care could suck in the future [sic] is a darkly funny coupling of dystopic retrofuturism and video mixtape.