Film A Fut

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

a quiet autumn night in tokyo. a man stops his car at a shop front with a number of vending machines to get a last drink of tea on his way home. he inserts a coin, but instead of the usual procedure, the machine starts performing its own peculiar performance...

In Austin, Texas, two expectant mothers-one undocumented and one US citizen-must contend with increased ICE raids and mounting hostility towards immigrants under President Trump.

When Ulrik is 33 years old, his mother suddenly passes away after a failed knee surgery and his world collapses. His father starts spending money he does not have, seeks out hookers and ends up hugely in debt and therefore loses Ulrik's childhood home. Ulrik desperately crosses the lines of decency and politeness as he tries to prevent his father from going on date sites and sending money to fictional women in need. How much can a son stand before he ends up as his own dad's dad? And - what is it Ulrik is so afraid of?

In a dramatic dialogue between an aggressive cowboy and Mother Earth herself, this film explores the human psychology of how, the issues of greed and ownership verses letting go and uniting with our true nature.

Silent film with horse racing as part of the main plot.

Future conflicts will be very different from those of the past. It'll take a new set of tools to fight rogue nations armed with nuclear weapons to sniff out and combat insurgent groups hiding among civilian populations to track down terrorists storing bombs, rockets, even WMD's. Many of the new tools to fight the new enemies are on the drawing board now and some have already been deployed.

Any given night, in any place, anything can happen where football is life itself.

Inspired by the work of cinematic auteur Neil Breen, this follows the story of hacker and patriot MC Dalton as he takes on the Corporation and the Bank to protect his country and the wife he thought was long dead. What follows is a deep, introspective look into what technology and capitalism has done and will continue to do to the American dream... and how we can control it.

In their dilapidated church headquarters, a dispirited cult awaits the sign to off themselves. Their hapless leader, Dave, concocts a plan: to quell infighting and give them purpose in life, he fakes a prophecy instructing them to make a movie and share their story with the world. They don't know the first thing about film production, but in making the movie the cult members find a uniting purpose. Then, just as they hit their stride, Dave receives a true prophecy. It's time for them to "exit."

Future Beach.

A film made to try and find some comfort within life's hardships.

Taken in one concentrated best-of dose, it becomes evident what a coup The B-52's pulled off when they turned their own concentrated craziness into genuine hits. This is some of the weirdest stuff ever to make the charts, much less beloved by the masses. It's all here through the mad surf guitar of Ricky Wilson (and later Keith Strickland), the banshee wails of Cindy Wilson and Kate Pierson, and, of course, the, um, well, let's say vocalizing of freaky Fred Schneider. "Party out of Bounds" with a "Rock Lobster" on "Planet Claire," or "Roam" over to the "Love Shack" in "Private Idaho." Whatever you do in The B-52's universe will at least be good, clean, perverse fun

Historical photographs and film of the 1962 Seattle World's Fair bring this documentary to life. Seattle's business, civic and cultural leaders and longtime residents tell of the excitement and ambition the Fair ignited.

The way we spend money has been changed forever thanks to the introduction of cryptocurrency. With these changes one of the biggest and most controversial social media companies ever, Facebook, has arrived just in time to change all of the rules again... The future of money is at hand and all we have to do is "Like" it!

An exhalation of social and architectural failures under the guise of possible futures.