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“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)
Damon Gameau takes eight kids on the ultimate school excursion: a road trip across Europe to seek solutions to the climate crisis.
A short film about a dad, a son, and a time-traveling killer android.
A Choice of Futures was a Canadian television miniseries which aired on CBC Television in 1967.
namie amuro PAST<FUTURE tour 2010 is Amuro Namie's tenth concert video. The video includes footage from her concert held in Tokyo. It was released in two versions: a DVD format and a Blu-ray format. The first press editions came in digipaks.
Wim Hof can regulate his body temperature to withstand frigid temperatures. Elizabeth Salser can see music in color. Esref Armagan, the blind artist. Rüdiger Gamm can calculate large numbers and calendar dates in his head.
"Les Racines Du Futur" features the group's 2003 concert at the Interceltic Festival at Lorient in Brittany. Extras included are interviews and video clips of the group.
Quirky take on the world of tomorrow.
Long before satellites would journey to planets and deep-space telescopes would photograph distant galaxies, there was an artist whose dazzling visions of planets and stars would capture the imagination of all who beheld them. Before that, he was an architect working on projects like the Chrysler Building and the Golden Gate Bridge. He would later become a matte painter in Hollywood working on films like Citizen Kane and Destination Moon. Who was this remarkable man? His name was Chesley Bonestell (1888-1986). Chesley Bonestell’s mesmerizing depiction of “Saturn As Seen From Titan” became known as “the painting that launched a thousand careers.” Told by the many people who were influenced by Chesley Bonestell or knew him personally and punctuated with rare interview footage of the artist himself, the documentary compellingly chronicles the life of a quiet, artistic visionary, whose architecture and space art continue to inspire us to reach for the stars.
An unemployed middle-aged man, Shiba Jiro, who has been living at home for 38 years on his parents' back, breaks away from his NEET lifestyle through his mother's strategy. He works at a pet store and lives alone in an apartment with his partner, Ichiro Mameshiba, a dog.
GREAT PERFORMANCES captures The Moody Blues in performance at Toronto’s Sony Centre during their 2017 “Days of Future Passed” tour. Celebrating the 50th anniversary of their landmark album, The Moody Blues took to the road to perform the entire LP live. The concert special showcases the band in performance for the first time with a full orchestra in a spectacle that recreates their pioneering concept album.
Traveling forward in time isn’t all it’s cracked up to be, as Sean Graves learns the hard way. He’s supposed to spy on his future self to determine if he should pursue a new romantic love interest. Even though he’s warned to not interfere, Sean decides he has to investigate for himself the tension between the man who he is now and who he will become. Even more dauntingly, once Sean is sent back to the past, "Future Sean" has to deal with the consequences of all the versions of his multiple selves’ actions.
The moon has been excavated for 30 years, per the work of Dr. Mattias Rey. His daughter Lona returns to his laboratory- abandoned after he went missing. Lona continues her deceased dad's work, and speaks to a remaining statue of him in an effort to find guidance.
A distorted portrait of an artist that explores storytelling, ego, delusion, conviction and memory. VON LMO is a musician/artist and self-proclaimed alien-hybrid who was a part of the late 70s New York No Wave music scene. Between trips to his home planet of Strazar and multi-dimensional travel, VON has also spent some very real time in prison and on the streets of Earth. Challenged with translating his Future Language for audiences across the galaxy, Lori, our filmmaker and VON LMO fan, gets sucked into VON's orbit and finds herself lost in his story.