Eyes Of The Mot

Four young adults delve into their parents’ absence while growing up and their ways of coping. The collection of old photos and clips reveals how their parents’ absence in different aspects of their lives affected their upbringing and how they processed various life experiences.

Real love saved her life. Famous photographer of film stars ZUZANA MINACOVA presents a fascinating account of the Nazi and Communist era in Central Europe.

11-year-old Michi lives in a children's home, every day fighting to win the respect of the other kids, till the day he finds his real dad, Tom - who happens to be a dwarf, even shorter than Michi is, the opposite of his idea of manliness and strength. When the kids find out, Michi's life becomes hell and he flees. With nowhere to go, he moves in with Tom, who is new to this fatherhood thing, while Michi tried to hide his embarrassment and shame from his fellow school kids. This forces Tom, who had coped well till now, to confront his handicap head on. As time passes, they discover they have more in common than other sons and fathers, until their relationship is again suddenly put to the hard test...

A gang of criminals kidnap the daughter of a wealthy businessman, only to shockingly realize that she is not what she seems.

How do humans and animals see each other? Dominique Loreau captures astonishing exchanges of “views” between people and animals who coexist in the city, in farms, slaughterhouses, zoos, museums, or in a dance rehearsal room. In The Eyes Of A Beast questions the permeable boundary between man and animal.

High school students Han Tae-joo and Kang-gook have always been together for 15 years. Although they are friends, Gook is actually a bodyguard for Tae-joo, the heir of a chaebol family. But before they know it, they feel different kinds of feelings for each other. What does Gook mean to Tae-joo, and what does Tae-joo mean to Gook?

The film almanac, consisting of four short works, tells about children's destinies in the hands of adults.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

The picture is about the impossibility of love of two young people. In the picture, the authors ask themselves whether the responsible person can be happy, how to choose between what you want and what is right and what is generally right.

Si Mata Malaikat (Angel Eyes) was killed by Si Buta dari Goa Hantu (The Blind from The Haunted Cave) aka Badra Mandrawata. His head was decapitated. But when lightning strikes his grave, Si Mata Malaikat rises up again without his head. His head had been taken by Sapu Jagad. After defeating Sapu Jagad, Si Mata Malaikat takes his child hostage and sends the wife, Marni, to find his nemesis, Badra. Marni then learns martial arts from the powerful master, Guntur Saketi. She is given a powerful skill called Jarum Seribu Halilintar (Thousand Thunders Needle), which has to be used with the help of the master’s student, Darus. Together, they defeat Mata Malaikat.

Futari no hitomi (二人の瞳, Futari no hitomi, The Eyes of Two People) a.k.a. Girls Hand in Hand (USA title) is a 1952 black-and-white Japanese film directed by Shigeo Nakaki.

In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.

The head of an elite Hong Kong surveillance unit keeps one eye on his rookie apprentice and the other on a notorious criminal he suspects of masterminding a recent jewel heist in this tense thriller from filmmaking duo Johnnie To and Nai-Hoi Yau. Of course, the criminal knows all along he's being watched. But that doesn't stop him from trying to pull off the biggest score of his career.

An arrogant and greedy graveyard discovers a snow-white woman in an ancient tomb as he searches for an ancient newspaper storehouse. This woman is actually a princess and has eyes that can see through everything from ancient times to the present. The arrival of the princess broke the peace of the world and their adventures made the two fall in love.

Fatma and Nabila are two friends, raised together in an orphanage until they work as supervisors in the same place. Suffering from the cruelty of life, until Nabila discovers that she has a wealthy uncle and goes to see him. On the way, an accident happens and her friend thinks that she died.

A short experimental-documentary film which in the form of a film journal examines the tensions in the transformations of the world around us. The broadly shot walls are the leitmotif of the film, still cracked versus the monochromely smooth and strikingly colourful new walls. The concrete (identifiable) transforms into the abstract (unidentifiable).

In the not distant future, flights beyond the solar system are becoming a reality. At the same time, the secret Human Planning Institute is engaged in personality modeling. But on one of their "pupils" the system malfunctioned. The special services were powerless to return it under their control and were forced to turn to the help of an old scientist-inventor who had long avoided society ...

Documentary of wildlife tourism and the exploitation of Orangutans

Mike, a recently divorced social worker in his early fifties, finds himself living in a grimy apartment across town with only his dog for company. Burying himself in work, his solitude is interrupted when an unknown woman starts calling to ask if he has seen Abigail? As the calls persist, he becomes increasingly concerned that perhaps he is not alone in this apartment after all.