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Documentary about New York with aerial shots of the city, the Manhattan skyline and the Brooklyn Bridge.
When it left, death didn't even close our eyes centers on the testimonies of laborers working in Kosovo’s construction industry. They attest to how this precarious and unregulated labor market has serious human costs to those that have to seek its employment. Speaking of how they are expected to work hours—from 12, 13, 15, even up to 24 hours—and in conditions far beyond prescribed regulations or normal human expectations. One of the primary consequences is a high rate of injury, which then precludes future work in the industry—some workers even admit that they would rather face death than lose the ability to earn a living.
The story of a group of teenage boys whose main interests are girls and sex. Kiko, secretly hides his homosexuality. This secret is challenged when Sara asks him out.
The needs of a black body are defined by whom? Have you ever tried to look into my eyes?
Argentinean singer and tango legend Ada Falcón disappeared without a trace in 1942 at the height of her career. This is the story of how she was located sixty years later, living in an unexpected way, in an unexpected place.
Mexico, 1864. Three soldiers from diverse backgrounds are dispatched to retrieve stolen war loot in a forest teeming with monstrous entities that drive those who meet their gaze to madness. In this realm where terror and compassion are intertwined, the true nature of horror and kindness is a matter of perspective.
In a bustling city of strangers, a young woman embarks on a soulful journey, finding inspiration in unexpected places, and glimpses of a lost love that guides her toward self-discovery and purpose.
It’s not just food, anime, or traditional arts anymore. This program highlights surprising research conducted by overseas researchers and offers fresh perspectives on aspects of Japan that even locals may not have noticed.
The series is based on the memories of children, participants and witnesses of various events in Russia in the 20th century. How children who grew up in Russia in different years of the 20th century perceived the world around them, and with it the everyday life of Russian history. Life, the behavior of parents, the behavior of friends and enemies of the family, the external environment, social upheavals, political events, all this is noticed by children, all this adds up to that picture of history that we will not find either in official reports or in historical research.
It shows the ethnic Nuba civilians defending themselves with the help of over 400 cameras distributed by himself and Klemen Mihelič, the founder of humanitarian organisation H.O.P.E., to volunteers across the war zones in the Nuba Mountains, Blue Nile, and Darfur, documenting the (North) Sudan military's war crimes against local populations.
Mayumi Hirose lived with her husband Yasuhiro and younger sister Miki. Her girlfriend Yasuhiro, who was in the prime of his career, was busy every day, had many business trips overseas, and often returned home late at night. One day, my cousin Tadao came to Tokyo from his hometown. Tadao, who lost his family, ends up staying at Mayumi's house.
How to remember people from dreams like from last night, you know.
The future is bleak and urbanized. A government super-power holds the keys to all the doors. Hope lies in a secret organization who kidnaps "gifted" children and teaches them to wield their ability to view the life energy of all living things. A young girl befriends a sempai, a street rat comes to rescue her, and two parents wait helplessly to see their daughter one last time...
A woman performs naked in front of a screening of difficulty breathing
In Varja Mocnik's documentary, members of former Yugoslav rock band Buldozer, their friends and fans reminisce about the time of the release of the band's debut album Pljuni istini u oci (1975). Their accounts interlace with fictitious scenes, the record artwork, archive material and animation, to ultimately come together into an inventive, surrealist film that speaks not just of the legendary album, but also of the society and reality of the time.
When I told Johan van de Keuken I wanted to make a film about him and his work, we decided to make a film in a film, that is I would shoot the making of the film he was supposed to make about the Chinese photographer ToSang who would be making photographs of his clients. The film won a Jury Award in Figuiera da Foz, Portugal.
Non-camera style short film.
