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28-year-old Jack, 19-year-old Jessica and 15-year-old Freya talk about what life is like as a short young person and the challenges they face.
"The important things in life you cannot see with your eyes, only with your heart" - Antonie de Saint-Exupéry in The Little Prince
Takarazuka Cosmos Troupe 2019 production based on The Captain's Daughter by Alexander S. Pushkin.
Neta Elkayam and Amit Haï Cohen live in Jerusalem. Together, they created a band where they revisit and reshape their common judeo-moroccan musical heritage. In life as on stage, they grapple with this identity duality; an attempt to heal the wounds of exile carried by their parents. In Your Eyes, I See my Country portrays their journey to Morocco. From one musical encounter to another, they reshape their perception of who they are and want to become, along with aspirations to consolidate bridges with the homeland of their ancestors.
A new film from the series "Stars of the Russian avant-garde" will tell about the difficult fate of the creation of Dziga Vertov's movie masterpiece "A Man with a movie camera". Vertov, the founder of the Kino-Eye or Kino-Oko group of fighters for pure documentary cinema, had to overcome seven obstacles in order to shoot and show this amazing film. For example, Lilya Brik, having decided to make her film debut, borrowed the idea of the film "A Man with a movie Camera" and launched a parallel project "Glass Eye". In the film you will see a newsreel with Dziga Vertov, the best shots from his paintings of Dziga Vertov, as well as excerpts of the film Lily Brick.
The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.
Women are squashed by giant hamburgers, half-swallowed by sharks or swing from crystal chandeliers: welcome to David LaChapelle's world.
Vampire Homocula's food is not the life blood of a virgin woman, but the white body fluid of a cherry boy (a virgin boy) around 20 years old. Homocula wanders around in search of it and somehow ends up in Tokyo. A parody of Dracula as "Homocula."
A movie about the life of Lars Winnerbäck.
In March 1977, six activists of the Movement for the Liberation of abortion and contraception (MLAC) were tried for the illegal practice of abortion. Around the trial, the film reveals the lives of this group of women proposing to appropriate medical knowledge associated with childbirth and abortion.
In this unique combination of documentary narration and magic realism, the authors present poignant accounts of those who witnessed the Warsaw Uprising as children. Halinka was saving cats and dogs. ‘Kazimierz’ was watching American B-17 Flying Fortress bombers fly over the city. ‘Hipek’ was a member of the scouting team of canal rats. Jureczek was 9 and he was the youngest soldier sworn in by the Home Army. He served in the district of Mokotów and was hiding in cellars after its defeat.
Optical art with camera movement.
Between 2014 and 2017, Luis Ospina and Lina González made a series of travels through some Asian countries; perhaps the antipodes of their symbolic world. These travels started a series of records, articulated in a kind of travel log in the style of a modern Marco Polo. This film moves between the gaze of the filmmaker and that of the tourist, at the same time it revitalizes the question for the other in a globalized age, with omnipresent screens. In this posthumous film, Ospina casts his regard on small details, be it common habits or exceptional events.
We May Be Small But Our Souls Are Infinite
A detective trying to solve a case falls victim to a time loop
This early HIV/AIDS film uses the popular and compelling narrative format of the telenovela to illuminate the effects of AIDS on a cross-section ofthe Latino community in Northern California. Different families and individual characters address complex issues such as sexual practice, sexual identity, and drug use in the family. Touches upon safer sex, male homosexuality and bisexuality, and does well representing several Spanish-language idioms. Allows for the development of an elaborate story encouraging honesty and cultural survival as well as self-criticism within the Latino community.
A study into the essence of the montage, the image, the sound and the accumulation of cinema
Two Men sworn to defend the country clash when one goes back to his hometown to wreak havoc
