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Soviet cartoon animated film on the Russian folk tale "Cat and the fox". As Lisa deceived the animals and took away the gifts, designed by Kotofei Ivanovich, issued by Fox for the new ruler of the forest. He was a black cat, he liked to eat sour cream, but did not catch mice. His master was angry with him, put him in a sack and threw it in the forest.
Latin American children, children of exiles and political prisoners, tell of their experiences of integration in Cuba, sharing their memories from exile and ideas on politics and education. Filmed in Havana in February 1979, the International Year of the Child.
“Close your eyes. What can you hear? What are you thinking? What do you feel at this exact moment? Where are you? With whom, and why?” This fantastically shot portrait provides insight into the inner life of a young woman due to undergo an operation in unconventional imagery that is both dreamlike and yet true to life.
An experimental short film documenting the life of Hungarian citizens through city footage and animation.
This brutal and beautiful children’s drama, mixed with arctic magic, succeeds to take us into the world of the tangled up and hurt mind of a big sister. Moreover, to show what consequences parental ignorance in a hectic everyday life can have for little brothers.
A Musical Psychological Journey into the Extraordinary Creation of Gabriel Belachsan
A fire cause deform a young man's face causing his fiancee to aversion him and leave him ; then he meets a blind girl and create an admiration between them but he afraid if she regains her sight leave him like his former fiancee
After her parents' divorce, Sabina was forced to follow her mother to Switzerland while her sister, Narmina, stayed with their father in Baku. Five years later, the 17 and 19 year old sisters are reunited when Sabina comes to spend he summer in Azerbaijan. Yet Sabina's vacation has a secret motive: she wants to move back home to live with the father she loves so deeply. He, too, has a project of his own: he wishes to marry for the third time and has to break the news to his daughters.
The closed eyes is a tour of Latin America subject to looting and contamination by multinationals. From Mexico to Colombia and from Guatemala to Uruguay and Argentina, the documentary begins by quoting Eduardo Galeano: “…the conquistadors appear in their caravels and, nearby, the technocrats in their jets, Hernán Cortés and the marines, the corregidors of the kingdom and the missions of the international monetary fund, the dividends of the slave traders and the profits of General Motors.¨ Made by Miguel Mirra with the collaboration of filmmakers from across the continent, THE CLOSED EYES OF LATIN AMERICA addresses the issue of open pit mining, soy, monocultures and the depredation of soils and forests, dams, devastation fish farming and the production of cellulose pulp, highlighting the close relationship between the plundering of natural resources, environmental pollution and the exploitation model that multinationals apply in Latin America.
Back then they ate my eyes and I can't tell what happened.
The film is built at the junction between reality and fiction. The famous Russian TV presenter Otar Kushanashvili goes blind and falls out of the stream of days. He gets into the circumstances offered to him, and those, in turn, become more and more real. There are people around him playing themselves, but losing their spontaneity in front of the camera. The camera is a cold and unblinking TV eye and its cavalier is a demiurgic montage that subordinates essentially neutral material. The dialogue around the improvised core is built between sound and image, between visible and invisible. This is the gap between television and cinema, between documentaries and literature.
Zhanna und Lyosha are survivors. The couple, now in their mid-thirties, became heroin addicts in the turbulent years of upheaval in Russia. They know their days are numbered, and pit their frail zest for life and gallows humor against this fact. The film draws on these moments and offers an intimate portrayal of a fragile and ambivalent love affair.
Taiwanese horror movie from 1987.
A special agent travels back in time killing future criminals while they are still children.
A photographer gets more than he bargained for when he makes an unwelcome sexual advance towards a timid young model. The tables are turned when his camera captures a dark piece of her soul.
Over the years, filmmaker Jan Bosdriesz collected curious souvenirs from various countries that he cherishes. He wonders about their history. Among his favourite items are the Russian LPs by Pyotr Leschenko from the 1930s that he once inherited from his father. While Bosdriesz travels to Russia to learn more about the life of the singer whose music was forbidden in Soviet Russia, the turbulent history of the filmmaker's family is also addressed. During his trip, Bosdriesz talks to people who knew Leschenko.
In the premiere narrative short from 4 Train Films, Ena Paulino plays a woman who tells the story of “La Perla”, a lush, if not dangerous part of Puerto Rico, and the eyes that follow her everywhere. Take in the saturated red and greens, and enjoy this Puerto Rican homage to classic French and Italian technicolor cinema.
Far in the future, in a place that was once called Finland, there lives a people whose history is shrouded in mystery. A mythical song describes the past, but it is not enough for the Young One. Fortunately, there is a sect in nearby fen that preserves ancient knowledge.
Yuri is a sculptor. Since the death of his wife, 17 years ago, he has been working hard to re-fabricate her. He misses only one element, the eyes. When he falls on Andreas it is an evidence, he has his eyes. Yuri will be stroked by this meeting and what it represents: the end of his quest.