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The filmmaker Julián Pintos and his alter ego find themselves confined to their isolated home in the countryside during the pandemic ravaging Europe in the 21st century and embark on a strange journey of initiation, in which they will meet the mysterious Silver Mask (Myriam) and the two disturbing theatre masks, muses of comedy and tragedy, split into Esther and Diana. The characters are trapped in an enigmatic time tunnel and their only escape is to find the heart of Europe, recalling their respective pasts linked to the Old Continent and bringing to the surface the deepest ghosts and fears that each of them hides.
In Italy and Germany, numerous people die in bomb attacks in the 1960s to 1980s. Clues prove certain connections, the traces lead to a secret structure called "Gladio".
A parody of the classic adventure film genre. Farmer Samuel , has just become free from the Soviet Union and is in no hurry to join the European Union. Rather, he forces Europe to reckon with him – raising adventures and dangerous situations
In an undisclosed location in central Stockholm a sort of state of exception seems to be in effect. During night time, job seekers from different parts of the world live here. Daytime they share the place with workers, building the new Stockholm. The main character of the film Thomas, has for three years been sleeping in a rat infested spot under a loading bridge. Now he is not even allowed to stay there and is going to be evicted. He gives a passionate speech about dignity, human rights and his fight to live a worthy life and support his family. The film is also distributed as part of a mobile sculpture that will tour Sweden and Europe. —Erik Pauser
Unique women. Women gamers. Women who escape to other planets. Heroines. Astronauts Shall we play Europe II?
On December 1st 1990, watched by the world’s media, construction worker Graham Fagg of Dover climbed through a hole in a chalk wall 40 metres below the seabed of the English Channel, shook the hand of Philippe Cozette of Calais and shouted, Vive la France! On June 23rd 2016, Britain voted to leave the European Union. Inspired by a message for motorists on Eurotunnel trains, Song for Europe is an underwater celebration of Britain’s connection to the mainland.
An artist. A painter. The enfant terrible of the old Soviet and now post-communist 'petit bourgeois' society. A mother of three, no husband, and every child from a different father. The children's ages range from 4 to 20 years. The artist herself is 43 at this time. A happy and free person at all times under any regime. A young, beautiful, photogenic being. Temperamental, garrulous and witty.
A news documentary about the negotiations of EFTS members (European Free Trade Association) with EBE (EEC European Economic Community), with a special emphasis on Icelandic issues.
Road trip through the periphery of the EU shows present-day Europe through the eyes of a much-travelled six-year-old, wise beyond his years. A fresh look at this old continent: shooting from the hip and free from sentimentality, young Terra questions the usefulness and purpose of borders.
A journey through faith in Europe.
People of different nationalities from Central Europe attempting to reach the West by crossing the controls and “European” rules.
This documentary provides an immersive look behind the scenes of the rock group DeWolff, which is formed by Pablo and Luka van de Poel and their friend Robin Piso. The documentary can be experienced as a coming of age of musicians, a wild ride full of music, drinks and calamities.
“I was Hamlet. I stood on the coast and spoke with the surf BLABLA. At my back, the ruins of Europe.” In free dive, in the manner of the Ophelia/Electra of Heiner Müller’s Hamletmachine (1977) which accompanies the story plot, we set out into the ruins of a Europe set adrift. Guided by Faustine du Couvent, a young Parisian woman with a dark and poetic energy, The Ruins of Europe is an eminently personal object that unfurls nervously, with the aid of archive television images, in order to draw the portrait of a society that is falling apart.
This inward portrait of young Vania follows her from Bulgaria to Portugal and Spain and back home. Vania wishes a better life searching her personal independence and identity. She experiences illegality, isolation and exploitation while she tries to find answers for life's major decisions. This is a film about emigration from a feminine point of view. It tells us the hopes and fears of a common person and consists in reflection about everyday life's reality. It's about growing up and putting off life ... while hopping that, one day, the utopia of Europe will actually happen.
Why 119 million people in Europe live under the breadline today. How could this happen? The reality of deprived children, unemployed young adults, and indigent workers spreads all around the Union. What does Europe do for them? Visiting young unemployed people in Ireland, Italy and Portugal, this film investigates beyond the social and economic aspects and outlines how this situation impacts the politics.
Somewhere in Europe... Nightime. A woman and two men in a van making its way through a maze of highways. The woman looks into the darkness, and then at the traffic that's getting denser. The two men take her into a rundown building. The woman is assaulted. The van is parked near a highway, and there are now three women and two men inside. They wait. A car pulls up. A man and a woman get out... One of the women from the van tries to escape... They grab hold of her. The two vehicles leave, and are lost in the night.
The film is set in Europe and depicts the love between a Japanese photographer and a princess from one of the European countries.
The story of the film is set in a coastal town along the Mediterranean sea. Here is a popular tourist attraction „Balcon de Europa”. Like from the balkony we are observing a mini model of our world, where the routine of one person take place in the background of massive feasts.
Ambiental documentary short, takes a closer, deeper look at the wild parties on the central beach in Split, Croatia, that started to take place every night after the clubs close. The filming took place over several nights, all summed up to six minutes to see glimpses of a giant party of young tourists with no control or authority (the film took place before the police started to make the parties a bit more orderly). Feelings of repetition until decline comes to the forefront as every single party, like a wave on the beach, happens in the same fashion, over and over again while the 'wave' becomes quieter with each stroke.
"Letters from Europe" brings to light the words of men and women who gave their lives resisting the Nazi and fascist conquest from 1939 to '45 across the European continent. The moving goodbyes penned by a few of those sentenced to death are sometimes true spiritual testaments that explore the meaning of civic responsibility, human existence, fraternity, and life and death. Their words, which the film mingles with footage of the present day, can perhaps restore meaning to a humanist ideal and to the ever-changing idea of a united Europe.