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A group of people are recruited by the brain of a band of robbers to commit the theft of some gold bars. Each character has a particular problem why he needs the money, but all are pretty sloppy.
Alex and Jonathan work in Alfonso's automotive shop. Encouraged by some information that Alex has obtained, the three decide to rob a gang of smugglers of which Víctor is a part. What Jonathan and Alfonso do not know is that Alex and Víctor are brothers and that their partner's motivation is not money but the desire to show himself as capable as the older brother and open the doors of an environment that has been forbidden to him by him.
After thieves Braulio and Víctor rob one another on the street, a police officer follows them, but instead of arresting the criminals, he robs them.
Robert and Paula, office co-workers, start a relationship full of ups and downs to forget their respective ex. Will they make it?
A letter that reflects on the present, change and the act of documenting.
The first Carapintada uprising in 1987 puts Raúl Alfonsín’s presidency in check. A meeting and a speech install an even more latent enigma.
A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.
On the morning of April 15, 2011, the Church of Calvary in Michoacán became a symbol of resistance against organized crime. This documentary captures the voices of Indigenous communities who, inspired by the uprising in Cherán, embarked on their own struggles against political parties, advocating for self-determination and autonomy.
Two top CIA operatives wage an epic battle against one another after they discover they are dating the same woman.
Annie lives in harmony with her husband Laurent and her children: the sensitive elders Maximilien and César; the younger Antoine whom Poupi, never-complaining teen, helps raising him. But a positive pregnancy test will disturb the harmony.
Three mischievous employees of a bank in a small deserted town all make plans to rob it at the same time, however none of them knows about the others.
A cat burglar is forced to take a bickering, dysfunctional family hostage on Christmas Eve.
When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own selves.
Ávila, Spain, March 28, 1526. With the help of her cousins, Teresa, who is eleven years old, writes a letter to her mother with the purpose of asking her to allow her to change her name to that of her favorite saint.
Shin-chan's parents have turned into animals, and environmental extremists are to blame! Shin-chan's going to have to put things right.